Week One | |
25 August | Telling a Story
Introduction to the Class. Writing for Multimedia In-class exercises: a) What is Interaction? b) The Vital Verb (if we have time) |
For Week Three | Read: Timothy Garrand, Writing for Multimedia and the Web
(hereafter Garrand), Chapters 1 & 2, plus (very short) Chapter 4 AND
Mark Stephen Meadows, Pause and Effect: the art of interactive narrative
(hereafter Meadows), pp. 2 - 36
Research: Over the next two weeks, read and compare the main news stories (just one or two) in either the New York Times or the Washington Post (broadsheet newspapers) AND in the New York Post (tabloid). What kinds of openings or leads does each use? What are the differences between the tabloid and broadsheet headlines and leads. Bring an example from each paper of a good opening or lead to class next week. |
Week Two | |
1 September | No Class - Labor Day Holiday |
Week Three | |
8 September | Writing the Lead
Classifying the Lead In-class Exercises: a) Leading the Reader b) Planning the Story |
For Week Four | Write: Mini-Assignment
#1: News Story
Read: Garrand, Chapters 4 & 6 (both very short) |
Week Four | |
15 September | Due: Mini-Assignment
#1: News Story
Clear, Dazzling, Precise Writing with Detail In-class Exercises: a) Except in the Details & the solo exercise |
For Week Five | Research: Listen to All Things Considered and/or Morning Edition on NPR (available daily on WAMU - 88.5FM or WETA - 90.9FM) and online (current and archive versions). Concentrate on those stories that 'tell as story' and use interview material from participants. Note down the different elements in this kind of story. For example, what is the purpose of the commentary from the reporter? And what do the direct voices of those interviewed contribute. If you want to examine British radio for a change, listen to The World Today on the BBC World Service and ask the same questions. |
Week Five | |
22 September | Hearing Voices (and why they're important)
Demo: Audio script Tips: Writing for audio In-class exercises:a) radio ad. b) news bulletin |
For Week Six | Write: Mini-Assignment
#2: Audio Story & Group
Project Proposal
Read: Meadows, pp. 39 - 69 |
Week Six | |
29 September | Due: Group
Project Proposal & Mini-Assignment
#2: Audio Story
Interactivity Workshop
|
For Week Seven | Read: Meadows, pp. 72 - 108 and Garrand, Chapter 7
Research: Building on your readings in the textbooks, your experiential learning and our work in class on 29 September, draft a 2 - 3 page (typed, please) summary (with evidence to back up your ideas) of your understanding of interactivity in complex interactive multimedia. You might include the following: definitions of interactivity; essential ingredients of interactivity, structures of interactivity, routes to enhancing interactivity, and so on. |
Week Seven | |
6 October | Information Structure
In-class exercises: a) active vs passive (powerpoint) |
For Week Eight | Write: Group Project Treatment |
Week Eight | |
14 October
Tuesday Class |
Due: Group Project Treatment
Adding the Visual
|
For Week Nine | Research: View and take notes on the footage for Mini-Assignment #3. Itemize the main elements of the story as you see them. No more than five or six! Bring your shot notes to class and send me an electronic copy. Sample shot list & terminology crib sheet |
Week Nine | |
20 October | Writing in Three Dimensions
The Treatment In-class exercises: a) scenes |
For Week Ten | Write: Mini-Assignment
#3: Video Story
Read: Meadows, pp. 116 - 123 and one interview from section 2.5 (assignment list) Bring your notes to class. |
Week Ten | |
27 October | Due: Mini-Assignment
#3: Video Story
Web Words
|
For Week Eleven | Read: Meadows, pp. 152 - 179 |
Week Eleven | |
3 November | Interactivity
In-class Exercises: a) creating interaction b) flowcharting |
For Week Twelve | Write: Script #1: Informational Multimedia
Read: Garrand, Chapters 8, 18 & 19 |
Week Twelve | |
10 November | Due: Script #1: Informational Multimedia
Telling Real Stories
|
For Week Thirteen | Read: Meadows, Chapter 3, one case study interview and exploration AND Garrand, one narrative multimedia case study (individual assignments) |
Week Thirteen | |
17 November | Structure and Story Analysis
Who, What, When, Where, Why & How: The Structure of Narrative: Sit-Coms, Soaps and Prime-Time Drama In-class exercises: Grammar Practice |
For Week Fourteen | Write: Group Script |
Week Fourteen | |
24 November | Due: Group Script (no incomplete versions,
please)
Workshop
|
For Week Fifteen | Write: Make sure that you return detailed comments on your assigned group script by midnight on 30 November. |
Week Fifteen | |
1 December |
Press Release & Troubleshooting
Individual and Group Scripts
|
For 7 December | Due: Script #2: Narrative Multimedia &
Experiential Learning: Part III (the interview) Deliver by midnight! |
For 15 December | Complete: Perfected Group Script & Press
Release for Project.
|
|| syllabus
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learning || lesley smith: fall 2003 new century college in the college of arts and sciences george mason university fairfax va 22030 last updated: 1 december 2003 |