Weekly Schedule

 
Week One  
25 August Telling a Story 
Introduction to the Class. Writing for Multimedia 
In-class exercises: a) What is Interaction? b) The Vital Verb (if we have time)
For Week Three Read: Timothy Garrand, Writing for Multimedia and the Web (hereafter Garrand), Chapters 1 & 2, plus (very short) Chapter 4 AND Mark Stephen Meadows, Pause and Effect: the art of interactive narrative (hereafter Meadows), pp. 2 - 36 
Research: Over the next two weeks, read and compare the main news stories (just one or two) in either the New York Times or the Washington Post (broadsheet newspapers) AND in the New York Post (tabloid). What kinds of openings or leads does each use? What are the differences between the tabloid and broadsheet headlines and leads. Bring an example from each paper of a good opening or lead to class next week.
Week Two  
1 September No Class - Labor Day Holiday
Week Three
8 September Writing the Lead
Classifying the Lead
In-class Exercises: a) Leading the Reader b) Planning the Story
For Week Four Write: Mini-Assignment #1: News Story
Read: Garrand, Chapters 4 & 6 (both very short)
Week Four  
15 September Due: Mini-Assignment #1: News Story
Clear, Dazzling, Precise
Writing with Detail 
In-class Exercises: a) Except in the Details & the solo exercise
For Week Five Research: Listen to All Things Considered and/or Morning Edition on NPR (available daily on WAMU - 88.5FM or WETA - 90.9FM) and online (current and archive versions). Concentrate on those stories that 'tell as story' and use interview material from participants. Note down the different elements in this kind of story. For example, what is the purpose of the commentary from the reporter? And what do the direct voices of those interviewed contribute. If you want to examine British radio for a change, listen to The World Today on the BBC World Service and ask the same questions.
Week Five  
22 September Hearing Voices (and why they're important)
Demo: Audio script
Tips: Writing for audio
In-class exercises:a) radio ad. b) news bulletin
For Week Six Write: Mini-Assignment #2: Audio Story & Group Project Proposal
Read: Meadows, pp. 39 - 69
Week Six  
29 September Due: Group Project Proposal & Mini-Assignment #2: Audio Story

Interactivity Workshop
Details to be announced

For Week Seven Read: Meadows, pp. 72 - 108 and Garrand, Chapter 7 
Research: Building on your readings in the textbooks, your experiential learning and our work in class on 29 September, draft a 2 - 3 page (typed, please) summary (with evidence to back up your ideas) of your understanding of interactivity in complex interactive multimedia. You might include the following: definitions of interactivity; essential ingredients of interactivity, structures of interactivity, routes to enhancing interactivity, and so on.
Week Seven  
6 October Information Structure
In-class exercises: a) active vs passive (powerpoint)
For Week Eight Write: Group Project Treatment 
Week Eight  
14 October 
Tuesday Class
Due: Group Project Treatment 

Adding the Visual 
Writing with video 
In-class exercises: a) wordy sentences b) documentary script format c) create the two-column script format d) wordy sentences (powerpoint)

For Week Nine Research: View and take notes on the footage for Mini-Assignment #3. Itemize the main elements of the story as you see them. No more than five or six! Bring your shot notes to class and send me an electronic copy. Sample shot list & terminology crib sheet
Week Nine  
20 October Writing in Three Dimensions
The Treatment
In-class exercises: a) scenes
For Week Ten Write: Mini-Assignment #3: Video Story
Read: Meadows, pp. 116 - 123 and one interview from section 2.5 (assignment list) Bring your notes to class.
Week Ten  
27 October Due: Mini-Assignment #3: Video Story

Web Words 
In-class exercises: a) Web Words b) student informational multimedia sample

For Week Eleven Read: Meadows, pp. 152 - 179 
Week Eleven  
3 November Interactivity
In-class Exercises: a) creating interaction b) flowcharting
For Week Twelve Write: Script #1: Informational Multimedia 
Read: Garrand, Chapters 8, 18 & 19 
Week Twelve  
10 November Due: Script #1: Informational Multimedia 

Telling Real Stories
In-class Exercises: Scene-Numbering (printable document in case you lose the handout) 

For Week Thirteen Read: Meadows, Chapter 3, one case study interview and exploration AND Garrand, one narrative multimedia case study (individual assignments)
Week Thirteen  
17 November Structure and Story Analysis 
Who, What, When, Where, Why & How: The Structure of Narrative: Sit-Coms, Soaps and Prime-Time Drama 
In-class exercises: Grammar Practice
For Week Fourteen Write: Group Script
Week Fourteen  
24 November Due: Group Script (no incomplete versions, please) 

Workshop 
Group Review Schedule; Troubleshooting Narrative Multimedia Ideas

For Week Fifteen Write: Make sure that you return detailed comments on your assigned group script by midnight on 30 November
Week Fifteen  
1 December
Press Release & Troubleshooting Individual and Group Scripts
For 7 December Due: Script #2: Narrative Multimedia & Experiential Learning: Part III (the interview)
Deliver by midnight!
For 15 December Complete: Perfected Group Script & Press Release for Project. 
 

 
|| syllabus || || schedule || || assignments || || experiential learning ||
lesley smith: fall 2003
new century college
in the
college of arts and sciences
george mason university
fairfax va 22030
last updated: 1 december 2003