MODERNbiblio

ENG LISH 660: 002	Modernist Women Poets: Mina Loy, Marianne Moore, Lorine Niedecker
Biblio	graphy Susan Tichy a selection of works consulted in preparing & teaching this course
spr ing 20 05 GEO RGE MAS ON UNI VER SITY	Arnold, Elizabeth. "Mina Loy and the Futurists." Sagetrieb 8:1-2 (Sp-F 1989) 83-117. Benstock, Shari. Women of the Left Bank. Austin: University of Texas Press, 1986. Burke, Carolyn. Becoming Modern: The Life of Mina Loy. Berkeley: University of California Press, 1996. - - - - . "Getting Spliced: Modernism and Sexual Difference." American Quarterly 39 (1987): 98-121. - - - - . "Without Commas: Gertrude Stein and Mina Loy." Poetics Journal 4 (1984): 43-52. - - - - . "The New Poetry and the New Woman." In Coming to Light: American Women Poets in the Twentieth Century. Eds. Diane Wood Middlebrook & Marilyn Yalom. Ann Arbor: University of Michigan Press, 1985. 37-57. Corman, Cid. "Extracts from With Lorine." In Dent 43-53. Costello, Bonnie. Marianne Moore: Imaginary Possesions. Cambridge: Harvard University Press, 1981. Cox, Kenneth. "The Poems of Lorine Niedecker." In Dent. 29-35. Crase, Douglas. "Niedecker and the Evolutional Sublime." In Penberthy LNWP. Dahlen, Beverly. "Notes on Reading Lorine Niedecker." HOW(ever) 1:1 (May 1983) 8-9. Repr. Electronic Poetry Center Davie, Donald. "Lorine Niedecker: Lyric Minimum and Epic Scope." In Dent 64-73. - - - - . "Niedecker and Historicity." In Penberthy LNWP 361-376. Dent, Peter, ed. The Full Note: Lorine Niedecker. Budleigh Salterton, UK: Interim Press, 1983. Diehl, Joanne Felt. Women Poets and the American Sublime. need publ info DuPlessis, Rachel Blau. “'Corpses of Poesy': Some Modern Poets and Some Gender Ideologies of Lyric.” In Feminist Measures: Soundings in Poetry and Theory, ed. Lynn Keller & Cristanne Miller. University of Michigan Press, 1994. 69-95. - - - - . "'Seismic Orgasm': Sexual Intercourse and Narrative Meaning in Mina Loy." In Schrieber & Tuma. 45-74. Eliot, T.S. "Review of Marianne Moore's Poems and Marriage." In The Gender of Modernism, ed. Bonnie Kime Scott. Bloomington: Indiana University Press, 1990. 146-149. - - - - . "Introduction to Marianne Moore's Selected Poems. ibid. 149-154. Faranda, Lisa Pater. Between Your House and Mine: The Letters of Lorine Niedecker to Cid Corman, 1960-1970. Durham: Duke University Press, 1986. Includes an excellent biographical introduction. Freeman, John. "Blood from the Stone: A Reading of 'Lake Superior'." In Dent 74-85. Frost, Elizabeth. "Mina Loy's 'Mongrel' Poetics." In Schrieber & Tuma. 149-180. Gilbert, Sandra. “Marianne Moore as Female Female Impersonator.” In Parisi. Gregory, Elizabeth. The Critical Response to Marianne Moore. Westport, CT: Praeger, 2003. Heller, Adele & Lois Rudnick. 1915: The Cultural Moment. New Brunswich, NJ: Rutgers University Press, 1991. Heller, Michael. "The Objectified Psyche: Marianne Moore and Lorine Niedecker." In Penberthy LNWP. - - - - . "'I've Seen It There'." In Dent 24-28. Heuving, Jeanne. Omissions Are Not Accidents: Gender and Authority in Marianne Moore. Wayne: Wayne State University, 1992. Leavell, Linda. Marianne Moore and the Visual Arts. Baton Rouge: Louisiana State University Press, 1995. Koudis, Virginia M. Mina Loy: American Modernist Poet. Baton Rouge: Louisiana State University Press, 1980. LaCamera, Kevin & Jennifer Wolkowski. Modernism: Art Salons: Mina Loy’s Lunar Odyssey. http://www.cwru.edu/artsci/engl/vsalu/mod/wolkowski/main.htm Loy, Mina. The Lost Lunar Baedeker. Ed. Roger Conover. New York: Farrar, Straus, Giroux, 1996. - - - - . “Gertrude Stein.” In her The Last Lunar Baedeker, ed. Roger Conover. Manchester: Carcanet, 1985 [1982] 289-299. - - - - . "International Psycho-Democracy." ibid. 276-282. - - - - . "Anglo-Mongrels and the Rose." ibid. 109-175. Marinetti, F.T. "The Futurist Manifesto." In Scarborough. Middleton, Peter. "Lorine Niedecker's 'Folk Base' and Her Challenge to the American Avant-Garde." Journal of American Studies 31:2 (1997) 203-18. Repr. The Objectivist Nexus: Essays in Cultural Poetics, ed. Rachel Blau DuPlessis and Peter Quartermain. Tuscaloosa: University of Alabama Press, DATE. Repr. http://epc.buffalo.edu/authors/niedecker/bibiography.html Miller, Cristanne. "Inquisitive Intensity in Marianne Moore." In her Marianne Moore: Questions of Authority. Cambridge: Harvard University Press, 1995. 26-60. Molesworth, Charles. Marianne Moore: A Literary Life. Boston: Northeastern University Press, 1990. Moore, Marianne. The Poems of Marianne Moore. Ed. Grace Schulman. NY: Viking, 2003. - - - - . Complete Prose. NY: VikingPenguin, 1986. - - - - . The Selected Letters of Marianne Moore. Ed. Bonnie Costello, Celeste Goodridge & Cristanne Miller. NY: Alfred A. Knopf, 1997. Nicholls, Peter. "Lorine Niedecker: Rural Surreal." In Penberthy LNWP 193-218. Niedecker, Lorine. Collected Works. Ed. Jenny Penberthy. Berkeley: U California P, 2002. - - - - . From This Condensery: The Complete Writings of Lorine Niedecker. Ed. Robert Bertholf. Highlands, NC: The Jargon Society, 1985. This volume is known mostly for its bad editing and biographical errors. - - - - The Granite Pail: The Selected Poems of Lorine Niedecker. Ed. Cid Corman. San Francisco: North Point Press, 1985. - - - - "Extracts from Letters to Kenneth Cox." In Dent 36-42. Ostriker, Alicia. “Marianne Moore, the Maternal Hero, and American Women’s Poetry." In Parisi. Parisi, Jay, ed. Marianne Moore: The Art of a Modernist. Ann Arbor: UMI Research Press, 1990. Penberthy, Jenny, ed. Lorine Niedecker: Woman and Poet. Orinoco: National Poetry Foundation/U Maine, 1996. (LNWP) - - - - . Niedecker and the Correspondence with Zukofsky 1931-1970. NY: Cambridge UP, 1993. - - - - . "A Posse of Two: Lorine Niedecker and Ian Hamilton Finlay." Chapman. 78-79 (1994) 17-22. Perloff, Marjorie. "Violence and Precision: The Manifesto as Art Form." In her The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture. Chicago: University of Chicago Press, 1986. 80-115. - - - - . "The Invention of Collage." ibid. 46-79. - - - - . "English as a Second Language: Mina Loy's Ango-Mongrels and the Rose. In Schrieber & Tuma. 131-148. Also on Jacket Magazine web site:. http://jacketmagazine.com/05/mina-anglo.html - - - - . "Canon and Loaded Gun: Feminist Poetics and the Avant-Garde." Stanford Literary Review 4:1 (Sp 87) 23-46. Rev. version of "Recharging the Literary Canon: Some Reflections on Feminist Poetics and the Avant-Garde." American Poetry Review 15:4 (Jul/Aug 86) 12-20. Pound, Ezra. "Letter to Marianne Moore, 1916." In The Gender of Modernism, ed. Bonnie Kime Scott. Bloomington: Indiana University Press, 1990. 359-362. - - - - . "Doggerel Section of Letter to Marianne Moore, 1919". ibid. 362-365. - - - - . "Others." ibid. 365-366. Quartermain, Peter. "'The Tattle of Tongueplay': Mina Loy's Love Songs. In Schrieber & Tuma. 75-86. Selinger, Eric Murphy. "Love in the Time of Melancholia." In Schrieber & Tuma. 19-44. Scarborough, Kim. The Futurism Home Page. www.unknown.nu/futurism/manifesto.html. Shreiber, Maeera & Keith Tuma, eds. Mina Loy: Woman and Poet. Orono, ME: National Poetry Foundation, 1998. Shreiber, Maeera. "''Love Is a Lyric / Of Bodies': The Negative Aesthetics of Mina Loy's Love Songs to Johannes." In Shreiber & Tuma. 87-110. Slatin, John M. The Savage's Romance: The Poetry of Marianne Moore. University Park: Pennsylvania State University Press, 1986. Stauder, Ellen Keck. "The Irreducible Surplus of Abstraction: Mina Loy on Brancusi and the Futurists." In Schrieber & Tuma. 357-378. Stein, Gertrude. Tender Buttons. Repr. Bartleby.com. http://www.bartleby.com/140/index.html. Steinman, Lisa. "'So As to Be One Having Some Way of Being One Having Some Way of Working': Marianne Moore and Literary Tradition." In Gendered Modernisms: American Women Poets and Their Readers. Ed. Margaret Dickie and Thomas Travisano. College Station: University of Pennsylvania Press, 1996. 97-116. Stapleton, Laurence. Marianne Moore: The Poet's Advance. Princeton: Princeton University Press, 1978. Tisdall, Caroline & Angelo Bozzolla. Futurism. London: Thames & Hudson, 1977. Tomlinson, Charles. Marianne Moore: A Collection of Critical Essays. Twentieth Century Views. Englewood Cliffs, NJ: Prentice-Hall, 1969. - - - - . "Introduction: A Rich Sitter." In Dent. 7-10. Twitchell-Waas, Jeffrey. "'Little Lusts and Lucidities': Reading Mina Loy's Love Songs. In Schrieber & Tuma. 111-128. Steven Watson, Strange Bedfellows: The First American Avant-Garde. New York: Abbevill Press, 1991. Wills, Patricia, ed. Marianne Moore Newsletter. Spring 1977-Fall 1981. Philadelphia: Philip H. & ASW Rosenbach Foundation.