A series of mystical visions provided the impetus to her theological writings and energized her striking theological statements about Creation, the Fall, and the maternal nature of Wisdom as embodied in the Church. The title of our program is taken from a concept and image "viriditas" ("greeness") that exemplified for Hildegard the life of nature and of the spirit. Despite the proto-feminist cast of some of her statements, Hildegard was a woman of her times and of her social class, at one time earning a rebuke from a fellow abbess for what we would call the elitist tendencies of her convent.
We know her best today for the music, innovative in her time, which
she composed for her hymns celebrating the Virgin Mary, the Church, and
the patron of her convent, St. Disibod. Her last letters were a spirited
defense of her convent against the Interdict that forbade her nuns any
music in their spiritual work. For Hildegard, music and song were an intrinsic
part of human nature and one of our most potent counterbalances to the
effects of the Fall.
Hildegard
of Bingen HomePage: music links, images, bibliography, discography,
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