Rethinking the English Language in Global Contexts

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Evidence of trauma : English as perplexity in David Boder's topical autobiographies --; An entirely different culture : English as translation in John Hersey's The wall --; What does he speak?: English as mastery in Ruth Chatterton's Homeward borne --; Please speak English : babbling in Philip Roth's "Eli, the fanatic" --; From law to outlaw : borrowed English in Edward Wallant's The pawnbroker --; Law's languages : Hannah Arendt's mother and other tongues --; Say "good boy" : legitimizing English in Sidney Lumet's The pawnbroker --; Cracking her teeth : broken English in Cynthia Ozick's fiction and essays --; The language of dollars : English as intruder in Yaffa Eliach's Hasidic tales of the Holocaust --; The language of survival : English as metaphor in Art Spiegelman's Maus --; Eaten away by silence : English as elegy in Anne Michaels's Fugitive pieces.

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