This
is a dual-submission assignment. Give your final version on a floppy disk to
Dr. Michals on Monday, October 7, and she will pass the disk on to Dr.Grindel. Please
also give each professor a hard-copy version of the assignment at your first
class meeting in the week of October 7. Each professor will give this
assignment a separate grade. Your document should be about two pages long,
including images. You should examine the sample assignment below in addition to
the following instructions.
Technology Across the
Curriculum Goals:
You
will be able to use graphical and multimedia representation technologies. In
this assignment, you will use Netscape Composer to perform the following tasks:
Understand
the different kinds of images (.gif, .jpg, .bmp) and their characteristics and
be able to choose among them appropriately. For more information, visit
http://www.whatis.com
Visit
Art History Resources on the Web, a superb site maintained by Dr. Chris
Witcombe of Sweet Briar College’s Art History Department. It’s a portal to just
about every relevant art museum in the world:
http://witcombe.sbc.edu/ARTHLinks.html
Look
at a variety of different historical periods and kinds of art. Choose an image
that interests you, one that you like but feel that you do not fully
understand. Spend some time trying to figure out what you like about this image
and what more you would like to know about it.
Present
the full image itself. By the image, offer basic identifying information about
it: where the original is located, what it is, and where it can be found on the
web. Also explain here what strikes you most strongly about this image. What
looks strange and interesting to you?
Zoom
in and enlarge two significant details in your image. Include them in your
document. By each of these visual details, ask questions that relate to it.
These questions are possible starting points for Project 3 (your annotated
bibliography) and Project 4 (your research paper). Write more than one sentence
about each of your questions. In his comments to you, Dr. Grindel will give you
an historian’s perspective on which of these questions might work best as a
research topic.
Susan
Campbell, our Instructional Resource Center’s Learning Technologies Analyst,
has provided instructions for all of the computer skills you will need to use
in order to complete this assignment.
How
to Save an Image from a Web Page with a PC
http://www.irc.gmu.edu/resources/image_manipulation/imagesv.html
How
to Insert an Image into a Word Document
http://www.irc.gmu.edu/resources/image_manipulation/imageinsert.htm
How
to Wrap Text Around an Image in a Word Document
http://www.irc.gmu.edu/resources/image_manipulation/imagetextwrap.htm
How
to Crop an Image in a Word Document
http://www.irc.gmu.edu/resources/image_manipulation/imagecrop.htm
How
to Resize an Image and Undo the Resizing of an Image
http://www.irc.gmu.edu/resources/image_manipulation/imageresizereset.htm
How
to Change the Contrast and Brightness of an Image in Word
http://www.irc.gmu.edu/resources/image_manipulation/imagebrightcontrast.htm
English 101 / History
100: Project 2
This
image, “Locusts Come upon the Earth,” is drawn from an illuminated manuscript,
a copy of the Commentary on the Apocalypse by Beatus of Liébana. It was
produced c.1180 in the Monastery of San Pedro de Cardeña, Burgos, with tempera,
gold, and ink on parchment. The original page is 44.5 x30 cm, and is located in
the Metropolitan Museum of Art, in New York. It can be found on the web at http://gallery.euroweb.hu/html/zgothic/miniatur/
I
am struck by how colorful and unrealistic-looking the image is: since it
represents the end of the world, I assume that it is supposed to be
frightening, but it does not look frightening to me because the colors are so
cheerful and the figures are so flat and stylized.
I have
four questions about it: First, why were monks in San Pedro de Cardena, Burgos,
interested in producing images of the end of the world around 1180? For
example, were social conditions especially unsettled then, and did that
instability make them feel as if it were time for the apocalypse?
Second,
why do the figures’ faces look calm and expressionless, not terrified, as they
would look in a scary picture or horror film today? Did painters and sculptors
at this time usually decide against representing emotions realistically? If so,
why? Or is this decision something unusual about this piece?
Fourth,
how can the colors in this image be so bright today? Are they the original
tempera paint, or have they been restored? If they were restored, how do we
know they are the right colors?