SUMMER
STUDY TOUR
SCOTLAND:
Auditors Undergraduate Students Graduate Students We hope you will participate in the reading as fully as possible. We suggest the materials marked # below. Since this is a broad course, the reading list below is quite long. We expect that very few of you will read everything on it within the time-span of the course. We have marked a few readings (#) as required for all. Beyond that, it is up to you to tailor the readings to your own interests. We will use class discussions and your reading journals to identify what you have read and what you might want to read next. Please don't hesitate to ask for guidance in choosing the most approprate readings for your interests. Additional readings for graduate students (listed below) are also recommended, particularly if they apply directly to your main areas of interest. 1. Books Michael
Lynch, Scotland: A New History (Pimlico, 1991#
Roderick Watson, editor. The Poetry of Scotland: Gaelic, Scots, and English (Edinburgh University Press, 1995) Selections. # Harry Ritchie, editor. Acid Plaid: New Scottish Writing (Arcade, 1997) Selections. Ian Rankin. Strip Jack (St. Martin’s) (detective fiction) # 2.
A photocopied reader, which will be available for sale at the Copy
Shoppe in the Johnson Center, and at the course orientation in April. At
the copy shop ask for Reader #1. Selections
will include:
Scottish
Tradition Series. The Muckle Sangs: Classic Scots Ballads #
Dick Gaughan. Gaughan. (Topic) TSCD 384 # (and
more to come?)
4. Films: Rob Roy, MGM/UA Home Video M206092 (1995) # Gregory’s Girl (Rob Roy can be rented. Copies of Gregory’s Girl will be placed on reserve at the Johnson Center.)
Graduate Students In addition to the readings assigned to undergraduates, please read: Christopher
Harvie, No Gods and Precious Few Heroes: Scotland Since 1914
Pittock, Murray G.H. Celtic Identity and the British Image (Manchester University Press, 1999) Additional selections. [Included in the photocopied reader.] Buchan, David. "The Oral Tradition: The Folk," in his The Ballad and the Folk. Tuckwell Press, 1997. [Included in the photocopied reader.] Ailie Munro. “The Story of the Revival: Development in Scotland,” in her The Democratic Muse: Folk Music Revival in Scotland (Scottish Cultural Press, 1986 [1984]) [Included in the photocopied reader.] MFA students should read all the poetry and ballad materials listed for undergraduates.
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