ENGLISH 564 main page schedule |
FORM OF POETRY Section 001 / Fall 2004 / Susan Tichy / Tuesday 7:20-10:00 / Thompson Hall 106 WEEK 6: POETRY AS DISCOURSE
Discourse theory, poetry as discourse Review differences between 4-beat verse & pentameter POEMS IN NORTON Ballads: Edward 84, The Three Ravens 86, Sir Patrick Spens 87, Mary Hamilton both versions, 91 & 94 PROSE READING: PHOTOCOPIED BOOK: Antony Easthope: Poetry as Discourse, Chapters1-7 Annotation to Easthope & more on the ballad, + links to more (strictly optional) reading on the ballad. Also a 20th century preview of Lorine Niedecker as a literary poet working the ballad tradition. VOCABULARY/ENTRIES IN PRINCETON Parataxis & hypotaxis, syntaxis, devices of parataxis such as
refrain, repetend, anaphora, epiphor + terms specified in Easthope and in my annotations to Easthope Read these Princeton entries in this order: WHAT WE’LL DO IN CLASS 1) Review concepts in Easthope, w/ emphasis on the descriptive models made available by these modes of analysis: the materiality of the word (precedence of the signifier), the historically specific ideology of a poem or a poetic form at its creation, and the historically specific subjectivity produced when a poem is read. 2) Contrast the discourse of 4x4 & pentameter, by discussing
(& possibly listening to) ballads and other 4x4 poems vs. blank verse
and the heroic couplet. Please print out and bring to class the text &
notes for "Babylon" on the Ballads
page. (We'll discuss Modern and Postmodern techniques to foreground the signifier and disrupt the unified voice later in the semester.)
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