| In Memory of W. B. Yeats |
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| September, 1939 | |
| I |
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| He disappeared in the dead of winter: |
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| The brooks were frozen, the airports almost deserted, |
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| And snow disfigured the public statues; |
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| The mercury sank in the mouth of the dying day. |
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| What instruments we have agree |
5 |
| The day of his death was a dark cold day. |
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| Far from his illness |
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| The wolves ran on through the evergreen forests, | |
| The peasant river was untempted by the fashionable quays; | |
| By mourning tongues | 10 |
| The death of the poet was kept from his poems. | |
| But for him it was his last afternoon as himself, | |
| An afternoon of nurses and rumours; | |
| The provinces of his body revolted, | |
| The squares of his mind were empty, | 15 |
| Silence invaded the suburbs, | |
| The current of his feeling failed; he became his admirers. | |
| Now he is scattered among a hundred cities | |
| And wholly given over to unfamiliar affections, | |
| To find his happiness in another kind of wood | 20 |
| And be punished under a foreign code of conscience. | |
| The words of a dead man | |
| Are modified in the guts of the living. | |
| But in the importance and noise of to-morrow | |
| When the brokers are roaring like beasts on the floor of the Bourse, | 25 |
| And the poor have the sufferings to which they are fairly accustomed, | |
| And each in the cell of himself is almost convinced of his freedom, | |
| A few thousand will think of this day | |
| As one thinks of a day when one did something slightly unusual. | |
| What instruments we have agree | 30 |
| The day of his death was a dark cold day. | |
| II | |
| You were silly like us; your gift survived it all: | |
| The parish of rich women, physical decay, |
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| Yourself. Mad Ireland hurt you into poetry. | |
| Now Ireland has her madness and her weather still, | 35 |
| For poetry makes nothing happen: it survives | |
| In the valley of its making where executives | |
| Would never want to tamper, flows on south | |
| From ranches of isolation and the busy griefs, | |
| Raw towns that we believe and die in; it survives, | 40 |
| A way of happening, a mouth. | |
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| III |
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| Earth, receive an honoured guest: |
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| William Yeats is laid to rest. |
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| Let the Irish vessel lie |
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| Emptied of its poetry. |
45 |
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| In the nightmare of the dark |
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| All the dogs of Europe bark, |
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| And the living nations wait, |
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| Each sequestered in its hate; |
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| Intellectual disgrace |
50 |
| Stares from every human face, |
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| And the seas of pity lie |
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| Locked and frozen in each eye. |
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| Follow, poet, follow right |
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| To the bottom of the night, |
55 |
| With your unconstraining voice |
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| Still persuade us to rejoice; |
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| With the farming of a verse |
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| Make a vineyard of the curse, |
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| Sing of human unsuccess |
60 |
| In a rapture of distress; |
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| In the deserts of the heart |
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| Let the healing fountain start, |
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| In the prison of his days |
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| Teach the free man how to praise. |
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| September, 1939 — this is the date of composition; Yeats had died on January, 1939, in Menton, France. he was buried in France, but his body was returned to Ireland to be re-interred in 1948. | |
| mercury — mercury is used in thermometers to indicate temperature | |
| Bourse — the Paris stock exchange | |
| All the dogs of Europe bark— World War II began with the German invasion of Poland on 1 September, 1939, but most people had recognized months before that it was likely, if not inevitable. | |