ENGH 322 / Spring 2012 /
Robinson A 111
Robert Matz
Office Hours: TR 1:30 - 2:30 and by appointment
Office: Robinson A473
Email: rmatz@gmu.edu
Office Ph. #: 993-1170
home page: http://mason.gmu.edu/~rmatz
Required Text:
The
Norton
Shakespeare, ed. Greenblatt
et al.
Course description:
Shakespeare wrote most of his comedies and histories during the same
period, the last years of the 1590s and the first years of 1600s, but
the two genres may seem very
different:
comedies are funny and fanciful, histories serious and realistic.
We'll see in this course that Shakespeare's comedies and histories
actually have a lot in common. The comedies speak
to serious and real life concerns, while Shakespeare
frequently
conceives of history through the narrative patterns and concerns of
comedy. In fact, one of
Shakespeare's most famous comic characters, Falstaff, appears in both
a comedy, The
Merry
Wives of
Windsor,
and, where we'll meet him, in the Henry IV history cycle.
In addition to these considerations of Shakespeare's genres
and
their significance, we'll also focus on careful close reading of the
plays, on their language, on the social, political and cultural
contexts in
which they were produced, and on possibilities for performance.
Toward our consideration of the plays in performance, we'll
attend two
professional theatrical productions, one of Two Gentlemen of Verona,
and a
second, very different one that bends tragedy into comedy: Hamlecchino:
Clown
Prince of Denmark.
Course requirements:
Blackboard postings, quizzes, three exercises, attendance Shakespeare
Theatre's Two Gentlemen of
Verona
and at the
Faction of Fools' Hamlecchino:
Clown
Prince of Denmark,
one essay, a midterm and a final.
Date |
Reading |
Postings
|
Events |
T
Jan. 24 |
None |
|
Course
Introduction |
R
Jan. 26 |
None
|
|
Historical
Introduction |
T
Jan. 31 |
Comedy of Errors,
acts 1-3 |
A-B |
|
R.
Feb. 2 |
Comedy
of
Errors, acts 4-5 |
C-D
|
|
T
Feb. 7 |
No
reading |
|
Discuss
exercises |
R
Feb. 9 |
Two
Gentleman of Verona, acts
1-2 |
E-F |
|
T
Feb. 14 |
Two
Gentleman of Verona,
acts 3-4 |
G-H-I |
|
R
Feb. 16 |
Two
Gentleman
of Verona, act
5 |
J-K-L |
|
See Two Gentlemen of
Verona
Feb.
16 @
8:00 PM , 17 @ 8:00 PM, 18 @ 2:00 PM or @ 8:00 PM, 19 @ 2:00 PM or
@ 7:30 PM
|
T
Feb. 21 |
No
reading |
M-N-O |
Discuss
Two Gentlemen Performance |
R
Feb. 23 |
Midsummer
Night's Dream, acts 1-2 |
P-Q-R |
|
T
Feb. 28 |
Midsummer
Night's Dream, acts 3-4 |
S-T-U
|
1st
exercise due by this date |
R
March 1 |
Midsummer
Night's Dream, act 5 |
V-W
X-Y-Z |
|
T
March 6 |
Midterm |
|
|
R
March 8 |
No
class (if
no snow days; credit for seeing Two Gentlemen of
Verona
and Hamlecchino:
Clown
Prince of Denmark) |
|
|
|
|
Spring
Break |
T
March 20 |
Measure
for Measure,
acts 1-2 |
|
|
R
March 22 |
Measure for Measure,
acts, 3-4 |
A-B |
|
T
March 27 |
Measure for Measure,
act 5 |
C-D |
2nd
exercise due by this date |
R
March 29 |
Richard
II, acts 1-2 |
E-F |
|
T
April 3 |
Richard II,
acts 3-4 |
G-H-I |
|
R
April 5 |
Richard
II, act 5 |
J-K-L |
|
T
April 10 |
1
Henry IV, acts 1-2 |
M-N |
|
R
April 12 |
1
Henry
IV, acts 3-4 |
O-P |
|
T
April 17 |
1 Henry IV, act
5; 2
Henry IV, act 5, scenes 3 to
5 only |
Q-R-S |
|
R
April 19 |
Henry
V, acts 1-2 |
T-U |
3rd
exercise due by this date /
Essay
assigned |
T
April 24 |
Henry
V, acts 3-4 |
V-W |
|
R
April 26 |
Henry
V,
act 5 |
X-Y-Z |
|
See Hamlecchino:
Clown
Prince of Denmark
Thursday
April 26 @ 8pm, Friday April 27 @ 8pm, Saturday April 28 @ 2pm or
Saturday April 28 @ 8pm |
T
May 1 |
Discuss Hamlecchino |
|
|
R
May 3 |
Course
wrap up |
|
Essay
due
|
Exercises:
Do 3
out
of 5 of the
following exercises. Each exercise should be 1 to 1 - 1/2 pages long
(make sure your name, etc. takes up very little room at the top of page
1; a title isn't needed, but if you choose to provide one, no spacing
down after it 1/3 of the page). You can do the exercises in any order
and hand them in at any time. However, you must have one exercise done
by Feb. 28, the second by March 27 and the third by April 19. You are
welcome, however, to hand in your exercises before any of these dates
(e.g., you could do all 3 exercises by Feb. 21, though I wouldn't
recommend it). Because there
is already a great deal of
flexibility in these due dates, I will not accept a late exercise under
any circumstances. E.g. if by
Feb. 28 I don't receive a
first
exercise from you, and then you give me 3 exercises on March 1 I will
only count you as having done 2 exercises, because you missed the
deadline for the first.
Instructions are
on line for each exercise;
click on the
relevant link below. Some of these assignments may be unfamiliar, so we
will devote one class day (Feb. 9) to discussing how to approach them.
In addition, I
strongly suggest coming to see me if you have questions about how to
proceed.
1. Closereading
2. Textual
cruxes or variations
3. Words,
Words, Words
4. Reading
Around
5. SparkNotes
Blog
Posts:
Threads:
Each student is
responsible
for two 250-300 word blog posts that make an argument about the text in
order to initiate discussion about some aspect of it. Responsibility
for these threads is designated by the first letter of your last name.
See the schedule of readings above for your specific dates. This
response should be posted on our Coursekit
class site by 9:00 pm
the day before the
designated class.
Blog Posts: Comments
Each student is
responsible for 12 responses to the above. You
must
provide at least six responses by the beginning of spring break
(Monday, March 12 @ 9 am). Responses
can be to the original posting or to other responses about it. If you
post after we've had a class on the particular text, you can also bring
in class lecture or discussion, but make sure you are responding to the
on line dialogue, not to class alone. Discussions
will
close one week after they start.
Postings should be around 50 words--you don't need an extended
argument, but "you're wrong" or "great point" will not qualify. Please
treat fellow posters with the same respect and seriousness on line as
you would in class.
Postings:
Evaluation:
I
will
evaluate postings--both originating threads and responses--based on
your consistent and rich participation in the on line dialogue. I will
not grade individual postings, however. Here is the scale I will use,
based on 100 points total.
For
each of 2 originating threads missed: -20 points
For each of 12 responses missed: - 4
For
example, someone who missed no originating threads
and 3 responses would score 88 or 88%, a B+. I
reserve the right to adjust grades up or down based on the quality of
what's posted.
Quizzes:
There will be 10-14 in
class quizzes, given at random. Quizzes
cannot be made
up. The quizzes will test
that you've done the reading
and achieved a basic understanding of it.
Essay:
This course will have one 5-7
page essay,
assigned on April 19 and due on May 3. The essay will allow you to
write on a topic that encompasses 2 plays. I also want you to
drawn on and develop
material from
lectures.
Midterm: The
midterm will test your
knowledge of
the plays and the ideas presented in class about them. It will cover
all the reading up to spring break. If you do not consistently do the
reading and come to class, you will have a hard time doing well on the
midterm.
Final: The
final will test your
knowledge of the
plays and the ideas presented in class about them. It will cover all
the reading up to the end of class, and be given on Tuesday, May 15,
from 10:30-1:15 p.m. If you do not consistently do the reading and come
to class, you will have a hard time doing well on the final.
Here
is how I will weight the assignments:
3 Exercises @ 6% = 18%
Postings = 12 % (see above for how grade is calculated)
Quizzes = 20% (based on points achieved/total points of all quizzes)
Essay 15 %
Midterm 15 %
Final 20 %
Late
work
(postings, exercises and essay):
Since there is a lot of flexibility in the assignments for
this
course, I will not accept late postings or exercises. Late
essays
will be graded down one half grade for each day late. For
serious
circumstances come see me.
Class
attendance: For
many reasons, you will not do well in this class if you do not attend
consistently.
Readings:
Readings are
due on the date listed. Come to class not only having read
the
assignment, but having reflected on it with curiosity and imagination.
You will be a better reader if you always read with a pen or
pencil in hand and annotate your text with questions and ideas.
For this reason, electronic editions of texts should not be used.
You do not need to use the Norton Shakespeare if you have
another
hard-copy, annotated
edition.
While
this class will be more heavily lecture-driven than many courses in the
English major, we will have time in each class for questions and
discussion. So come ready to talk as well as listen.
Email:
Email is great for setting up meeting times and asking simple
questions. However,
please do not email about anything more complex,
such as questions about an idea for an assignment (come to office
hours) or why you can't complete an assignment (come to office hours).
Anything more than a simple question should be handled in
person
or (in a pinch) on the phone.
Emailing
formal
written work: Please do
not email me exercises or
your
essay (as attachments or otherwise), unless I have given you permission
in advance to do so.
Electronic
devices in
class:
You may use a laptop/tablet in class for the purpose of taking notes,
if you okay it with me first. There is no reason to have
phones
out during class, and if I see one I will ask you to put it away.
Please also turn off your cell phones before class.
Paper
Standards:
Formal assignments (exercises and essays) should by typed with standard
margins, spacing and type size. They should be carefully proofread and
neatly presented. Coursekit blog postings can be more informal
(abbreviations, some proofing errors) as long as they remain readable
and substantive in content.
Paper Helps:
I encourage you to come see me at
my office hours or to make an appointment to see me. When we meet, try
to have a draft of the paper you are working on. This will give us
something
more concrete to talk about. There is also available a Writing Center
at
Robinson A114 that can provide you with further individual attention to
your writing. I encourage you to take advantage of this excellent
facility.
I
would also suggest that you give yourself plenty of
time to work.
Writing a paper at one sitting is, for most people, unpleasant, and the
results are not likely to be satisfactory. Start early!
Plagiarism:
Since this class emphasizes the development of your own close reading
and interpretive skills, you are not encouraged to consult secondary
sources.
If you do choose to look at such work, however, you must cite,
using
a standard citation format, all
the articles, books or other sources
that your own writing draws on, either
directly or indirectly. Such
sources include (but are not limited to) introductions to editions of
the
texts we're reading, any kind study aid or internet resources.
Also
note that uncited sources will constitute
plagiarism even
if
they ended up in your work without your conscious knowledge (e.g. you
forgot
you read the material; you confused your own notes with notes on a
source),
since part of the scholarly responsibility that comes with using
secondary
sources is keeping track of which words or ideas were yours and which
came
from a source. If you do not wish to take on this responsibility then
you
should not consult secondary sources.
I
will take all suspected cases of plagiarism to the
Honor Committee.
Students
with
Disabilities:
If
you are a student with a disability and you need
academic accommodations, please see me and contact the Office of
Disability Resources at 703.993.2474. All academic accommodations must
be arranged through that office.
Note:
some of the sites are useful and
interesting, but not
authoritative
Please come
see me if you have any questions about grading, the syllabus
or the class. I look forward to having the chance to meet you. Best
wishes
for a good semester! |