ENGL 302
Final Research Paper
Spring 2008
For either Thurs May 1st or Fri May 8th (if you bring a 6-10 page draft
on the 1st), write a research paper (minimum 10
pages; maximum 14 pages), typed and double
spaced, not including your works cited/reference page. Consult Hacker's
Pocket Style Manual and her online documentation site at
http://www.dianahacker.com/resdoc/
for the proper format for in-text citations (or footnotes in Chicago) and works
cited/reference pages. Organize your paper around a thesis and incorporate
summaries, quotations, and comparisons from sources you have found in your
research as you develop and support your argument. As we have discussed in
class, a thesis is the position you are taking on an issue or your answer to a
question you have posed. Make sure you clearly define the issue you are
exploring and set out your thesis somewhere near the beginning of the paper.
Do not try and cover too much since you have only a few weeks to complete your
research and writing. You will need make significant use of at least ten
sources including three books, three websites and three articles (the latter found through
the online databases
provided by George Mason). To see the proper format for citing articles
you find in online databases (provided by the library or other services) see:
http://www.dianahacker.com/resdoc/humanities/list.html#31 and http://www.dianahacker.com/resdoc/social_sciences/listref.html#20.
Enclose your paper in a folder and include all preliminary drafts (with comments
and editing sheets), your original paper plan, the
paragraph
structure sheet, and an account of what you
changed as you worked on your project. Also indicate which citation format you
used (APA, MLA, Chicago or one of the Sciences listed on the
Hacker documentation site).
You can write on one of the following subjects:
- Film censorship in the 1930s or later. You can expand on your
papers on Scarface but you will need to
incorporate new research and develop an argument of your own. Another
option would be to write on bad girl or fallen women films using the
Forbidden Hollywood series or Mae West's films. Here books like
Lea Jacobs The Wages of Sin: Censorship and the Fallen Woman Film and
Marybeth Hamilton's When I'm Bad, I'm Better: Mae West, Sex, and American
Entertainment provide a useful starting point Another option would
be to explore the issue of violence in the films of the 1930s and start with
Steven Prince's claim, in Classical Film Violence, that the Hays'
Office was more concerned with criminal behavior than violence per se.
A third option would be to compare the 1932 and 1983 versions of Scarface
and discuss the impact of pre-production censorship and the ratings
system on the portrayal of gangsters and violence. All of these books
and films are on reserve in the JC library. Database research to
find newspaper articles from the time period as well as peer reviewed
scholarly articles is essential as well.
- The regulation of children's television and other forms of entertainment
targeted at the young. Here Minow and Lamay's Abandoned in the
Wasteland and the documentary Does TV Kill provide a useful
starting point as does the research you did using ProQuest and Expanded
Academic ASAP on the researchers mentioned in the Frontline documentary.
- The regulation of new technologies like the Internet or Video-games.
You could approach these subjects in a variety of ways--business issues,
government and regulation, or psychology and education--depending on your
major and interests. Wallace and Mangan's Sex, Laws and Cyberspace
and Steven Johnson's Everything Bad is Good For You might provide
useful starting points here.
- A paper on one of the subjects covered in the
Culture Shock series from
PBS:
Huckleberry Finn (literature and education);
Manet's
Olympia (the nude in art);
Jazz in the
1920s and the
Production Code. This option is designed for majors in
English, Education, Art History, Music and Film and Media Studies. You
do not have to focus on the subject matter covered in the Culture Shock
documentaries but do need to tie your paper to one of the larger issues we
have discussed this semester and draw on your knowledge of material you have
covered in your major. You need to get my permission to do this
assignment.
- A dual-submission paper, that is, a paper you are currently working on
in a course this summer or in a larger project in your major. If you take this
option you will need to follow the policies established for dual-submission
assignments by the English Department. According to the Department :
"Projects dually submitted will follow the multiple-draft process standard
. . . and will be independently evaluated by the ENGL302 professor.
Because criteria in the ENGL302 section may differ from those established by
the professor in the major course, students should be prepared to revise the
projects differently in the two courses. Dual submission is intended to help
students learn how to develop and present information in different ways to
meet the demands of different readers." These policies also require
that: "any students wishing to take
advantage of the dual submission option, should sign a copy of the
Permission Form for English 302 Dual Submission. Students will then need
to show this form to the professor of the major course to inform him/her of
the dual submission policy."