Bibliography of Primary and Secondary Sources

I include:

a list of all the manuscripts which contain handwritten copies of Ann's poems, both those which were openly attributed to her in print and those which were not. In an appendix to my book I will include a list of the unattributed poems and arguments for attribution. For now the list and arguments may be found in my chronology of Ann's poems (which includes all Ann's poems, a brief description of them, their earliest printing history, all the various anthologies they have appeared in, and their sources if they are translations or imitations or allusive). a list of all 20th century editions of Ann's poetry, none of which are complete. (I have now been able to include the most recent partial edition of Ann's poetry by Barbara McGovern and Charles Hinnant.) a list of those secondary sources which directly relate to Ann or her family members and close friends and the places where she lived. Here are also those critical and scholarly essays and books which have been written about her or her life thus far. a more general bibliography made up of studies which provide a more detailed and accurate (non-anachronistic) picture of Ann's time, milieu, and the people she spent her life among. a detailed history of the anthologizing of Finch's poetry from the late 17th through to the end of the 20th century.

• MS Additional 4457. Microfilm of manuscript volume owned originally by Thomas Birch in the British Library.
• MS Additional 28101. Microfilm of manuscript volume entitled Ashley Cowper's Family Miscellany in the British Library.
• MS Finch-Hatton 282. On the blank pages of a copy of Rider's Almanac for the year 1723, is a private diary and record for the years 1723 in the hand of Heneage Finch, fourth Earl of Winchilsea. Microfilm from Northampton Record Office, Delapre Abbey, Northampton (referred to as MS F-H 282).
• MS Finch-Hatton 283. Poems on Several Subjects Written By Ardelia. Microfilm from Northampton Record Office, Delapre Abbey, Northampton (MS F-H 283).
• MS Folger. MISCELLANY POEMS WITH TWO PLAYS BY ARDELIA. [to which is added] ADITIONAL POEMS cheifly Upon Subjects DEVINE and MORAL. In the Folger Library (MS Folger).
• MS Harleian 7316. Miscellaneous English Poems. Microfilm from The British Library (MS Harleian 7316).
• MS Pierpont Morgan Library. A photocopy of a handwritten poem, "To Mr Jervas" among the papers of Jonathan Swift (MS Pierpont Morgan).
• MS Portland Papers. Microfilm from the Library of the Marquis of Bath at Longleat. Vols 12- 14, 19-20 (MS Portland XIX, XX).
• MS Wellesley. Poems. By Anne Finch, Countess of Winchelsea. Microfilm from Wellesley College (MS Wellesley).

• Miscellanea Sacra or POEMS on DIVINE 7 MORAL SUBJECTS. Collected by N. Tate, Servant to His Majesty. London. Printed for Hen. Playford in the Temple Change in Fleet Street. MCDXCVI (1696 Tate).
• A New Miscellany of Original Poems on Several Occasions. [ed. Charles Gilden] Written by E of D, Sir Charles Sedley, Sir Fleetwood Shepheard, Mr. Wolesley, Mr Granvil, Mr Dryden, Mr Stepney, Mr Rowe, And Several Other Eminent Hands. London, 1701 (1701 Gilden).
• On the Death of King James. By a Lady (11613.e.35) and An Elegy on the Death of King James By a Lady (NCI p.v.15). 1701. There are two copies of this pamphlet under two different titles. The first is in the British Libray, the second in the New York Public Library.
• Poems on Affairs of State, from 1640 to this Present Year 1704. London, 1704. Contains "A Sigh" followed by the anonymous burlesque (possibly by William Byrd), "[Upon] A Fart". Cameron believes there was another manuscript version of "A Sign" beyond the ones I cite; Byrd could not have seen the MS Folger copy.
• Poetical Miscellanies: The Sixth Part Containing a Collection of Original Poems, with Several New Translations. By the most Eminent Hands. London: Printed for Jacob Tonson, 1709 (1709 Tonson).
• Poetical Miscellanies: The Third Part Containing a Collection of Original Poems. By the most Eminent Hands. London: Printed for Jacob Tonson, 1710. Contains "[Upon]A Fart".
• Miscellany POEMS, on Several Occasions. Written by a LADY. London. Printed for J.B. and Sold by Benj. Tooke at the Middle-Temple-Gate, William Taylor in Paster-Noster Row,, and James Round, in Exchange-Alley,Cornhil. 1713. Reissued 1714 (1713 Misc.)
• POETICAL MISCELLANIES, Consisting of ORIGINAL POEMS AND TRANSLATIONS, By the Best Hands. Publlished by MR. STEELE. LONDON: Printed for JACOB TONSON at Shakespeare's Head over-against Catherine-street in the Strand. MDDCXIV. (1714 Steele).
• Pope's Own Miscellany, Being a reprint of Poems on Several Occasions 1717 containing new poems by Alexander Pope and other, ed. intro. Norman Ault. Facsimile Reprint: London: Nonesuch Press, 1935/75 (1717Pope's Own).
• The Hive: A Collection of the most celebrated Songs of our best English Poets. 2 Vols. Printed for John Walthoe, junr over against the Royal Exchange in Cornhill. London, 1724 (1724 Hive).
• Miscellaneous Works of His Late Excellency Matthew Prior, esq. 2 Vols. (ed. Adrian Drift). London 1740 (1740 Prior).
• The Second volume of T. Osborne's Catalogues of Books, Containing the LIbraries of the Right Hon. Heneage Finch, Earl of Winchilsea, the Rev. John Creyke, His Lordship's Chaplain, Mr Booth, late of Barnard's Inn: and Many Other Persons lately deceased. London: 1738 (Osborne's Catalogue).
• A General Dictionary historical and critical, comp. John Peter Bernard, Thomas Birch, John Lockman, and other hands. 10 vols. London 1739-41 (1741 Birch).

• Ellis-d'Alessandro, Jean, introd. The Wellesley Manuscript Poems of Anne Countess of Winchilsea. Florence, 1988 (Ellis-d'Alessandro Poems).
• Fausset, Hugh. I'A. Minor Poets of the 18th Century. London: Everyman, 1930. He reprints 89 poems from Reynolds, using the same orthography and order.
• Hampsten, Elizabeth. "Poems by Ann Finch." Women's Studies, (1980) 5-19.
• McGovern, Barbara and Charles H. Hinnan, edd. The Anne Finch Wellesley Manuscript Poems: A Critical Edition. Athens and London: The University of Georgia Press, 1998.
• Murry, John Middleton. Poems by Anne, Countess of Winchilsea, 1661-1720. London: Jonathan Cape, 1928. He prints 38 poems from Reynolds. He modernizes the spelling, rearranges the order and sometimes changes a title.
• Reynolds, Myra, ed., introd. The Poems of Anne, Countess of Winchilsea. Chicago: Univ. of Chicago Press, 1903 (Reynolds, Poems.)
• Rogers, Katharine M., ed. Selected Poems of Anne Finch, Countess of Winchilsea New York: Frederick Ungar, 1979. She reprints 69 poems from Reynolds.
• Thompson, Denys, ed. intro. Selected Poems. Anne Finch, Countess of Winchilsea. Manchester: Fyfields Books, 1987. He prints 41 poems from the published "complete" editions before 1987.

• Finch, Anne. http://www.digital.library.upenn.edu/women/finch/finch-anne.html#, A Celebration of Women Writers, editor Mary Mark Ockerbloom. Here the reader will find a complete transcription of the poetry that appeared in the 1713 Miscellany Poems on Several Occasions, including a text of the tragedy, Aristomenes, and a scanning in of the original title page. The site includes a transcription of the following poems which appear in MS Finch-Hatton 283 and MS Folger, as reprinted in Myra Reynolds 1903 Poems: "The Introduction", " A Letter to Dafnis: April 2d 1685", "An Invitation to Dafnis", "The Bird and the Arras" (the incorrect separated out text), "Ardelia to Melancholy", "Consolation", "The Unequal Fetters", "The Appology", "On Myselfe". She also includes a group of poems found in the Wellesley Manuscript as reprinted in Barbara McGovern's biography: " An Apology for my fearfull temper", "On the Death of the Queen", " A Suplication for the joys of Heaven", "A Contemplation" . There is a brief biographical sketch and a brief bibliography.
• ----------------. http://www.library.utoronto.ca/utel/rp/authors/finch.html. As prepared by G. G. Falle of the English Department of the University of Toronto, the reader will find a text of "The Petition for an Absolute Retreat" and "The Tree" both taken from the 1713 Miscellany Poems on Several Occasions.
• Finch, Anne. http://faculty.goucher.edu/eng211/anne_finch.htm. Here the reader will find explanations and descriptions of "The Introduction" and "A Nocturnal Reverie" with links to the Brown University Women Writers Project, and the Emory Women Writers Resource Project, neither of which has as of this day, 16 March 2001, any of Anne Finch's texts available.

• Anderson, Paul Bunyan. "Mrs Manley's Texts of Three of Lady Winchilsea's Poems," Modern Language Notes, 45 (1930), 95-9.
• Ballard, George. Memoirs of Several Ladies of Great Britain, ed., introd. Ruth Perry. Detroit: Michigan University Press, 1985.
• Barash, Carol. "The Political Origins of Anne Finch's Poetry," Huntington Library Quarterly, 54.4 (1991), 327-52.
• Barash, Carol, "The Native Liberty . . . of the Subject" in Women, Writing, and History, 1640-1720, ed. Isobel Grundy and Susan Wiseman. Athens: University of Georgia Press, 1992, pp. 54-69.
• Barash, Carol. English Women's Poetry, 1649-1714: Politics Community, and Linguistic Authority, New York: Oxford University Press, 1996.
• Bowyer, John Wilson. The Celebrated Mrs Centlivre. Durham: Duke University Press, 1952. Bowyer argues Phoebe Clinket is a representation of Ann Finch; I find Bowyer's argument based on contemporary sources convincing. See pp 194-206.
• Burnett, David. Longleat: The Story of an English Country House. Collins: St. James's Place, 1978.
• Brashear, Lucy, "The Bird and the Arras." The Explicator, 39 (1981), 21-2.
• Brower, Reuben. "Lady Winchilsea and the Poetic Tradition of the Seventeenth Century." Studies in Philology, 42 (1945), 61-80.
• Buxton, John, "The Poems of the Countess of Winchelsea," London Mercury, 64 (1950), 195-204.
• -------------------. "The Countess of Winchilsea," A Tradition of Poetry. New York: MacMillan, 1967, pp 157-83.
• Callan, Norman, "Augustan Reflective Poetry," The Pelican Guide to English Literature,, gen. ed. Boris Ford. Vol IV: From Dryden to Johnson. 1957; rpt. Middlesex, Penguin, 1960.
• Cameron, William J. "Anne, Countess of Winchilsea: A Guide for the Future Biographer." Thesis, Victoria College, Wellington, N.Z., 1951.
• Cotton, Nancy. Women Playwrights in England, c. 1363-1750.. Lewisburg: Bucknell University Press, 1980, pp. 151-6.
• Dowden, Edward. "A Noble Authoress,"Essays Modern and Elizabethan. 1910; rpt. New York: Books for Libraries, 1970.
• Drew, Elsie, "Lady Winchelsea." Eighteenth-Century Literature: An Oxford Miscellany. 1909; rpt. New York: Books for Libraries, 1966, pp 42-55.
• Eames, John E. "Sir William Kingsmill (1613-1661) and His Poetry," English Studies, 67.2 (1986), 126-56.
• Ellis-d'Alessandro, Jean. When in the Shade: Imaginal Equivalents in Anne, the Countess of Winchilsea's Poetry. Verona: Del Bianco Editore, 1989.
• Erskine-Hill, Howard, "Literature and the Jacobite Cause: Was There a Rhetoric of Jacobitism?" in Ideology and Conspiracy: Aspects of Jacobitism ,1689-1759, ed. Evelie Cruickshanks. Edinburgh: John Donald, 1982, pp. 49-69.
• Everitt, Alan Milner. The Community of Kent and the Great Rebellion, 1640-60. Leicester: Leicester Univ Press, 1966.
• Ezell, Margaret J. M. Writing Women's Literary History. Baltimore and London: The Johns Hopkins University Press, 1993.
• Fairchild, Hoxie Neale. Religious Trends in English English Poetry. 4 vols New York: Columbia 1939. I:236-43.
• Fece, Allan. James II and His Wives. London: Methuen, 1908.
• Fisher, Dorothea Canfield. Corneille and Racine in England New York: Macmillan, 1940.
• Freud, Sigmund. "Mourning and Melancholia" in General Psychological Theory, introd. Philip Rieff. New York: Simon and Schuster, 1963.
• ----------------------. The Problem of Anxiety. New York: Norton, 1936.
• Gosse, Edmund. "Lady Winchilsea's Poems, " Gossip in a Library, 1891; rpt. New York: Cornell University Press, 1970, pp 121-32
• -----------------------. A History of English Literature, New York: Macmillan, 1929, pp 35-6.
• Greer, Germaine. "Wordsworth and Winchilsea: The Progress of Error," The Nature of Identity: Essays Presented to Donald Hayden by the Graduate Faculty of Modern Letters at the University of Tulsa, ed. Germaine Greer. Tulsa: University of Tulsa Press: 1981, pp 1-13.
• -----------------------. "What We Are Doing and Why We Are Doing It," Tulsa Studies in Women's Literature, 1-2 (1982-3), 5-26.
• Grundy, Isobel and Susan Wiseman, edd. Women, Writing, History, 1640-1740. Athens: University of Georgia Press, 1992.
• Halsted, Edward. The History and Topographical Survey of the County of Kent. 4 vols. Kent: Canterbury, 1790.
• Haile, Martin, pseud. [Hallé, Marie.] Queen Mary of Modena: Her Life and Letters. New York: Dutton, 1905.
• Hampsten, Elizabeth. "Petticoat Authors: 1660-1720. Women's Studies, 7 (1980), 20-38.
• Hinnant, Charles. The Poetry of Anne Finch. Newark: Univ of Delaware Press, 1994.
• Hughes, Helen Sard. "Lady Winchilsea and Her Friends." London Mercury, 19 (1928-9), 624-35.
• ----------------------------. The Gentle Hertford: Her Life and Letters. New York: Macmillan, 1940.
• I'Anson, Bryan. The History of the Finch Family. London: James & Co, 1933.
• Isham, Thomas. The Diary of Thomas Isham of Lamport 1658-81), kept by him in Latin from 1671 to 1673 at his Father's Command, trans from Original by Norman Marlow, introd. notes by Sir Gyles Isham, preface Sir George Clark. Hants, England: Gregg International publishers 1971.
• Jaffe, Nora Crow. The Poet Swift. Hanover, N. H.: University Press of New England, 1977.
• Lenanton, Carola Oman. Mary of Modena. London: Hodder and Stoughton, 1962.
• Lewis, Jayne Elizabeth. The English Fable: Aesop and Literary Culture in England, 1651-1740. Cambridge: At the University Press, 1996.
• Locke, A. Audrey. The Seymour Family. New York: Houghton Mifflin, 1914.
• Longknife, Ann. "A Preface to an Edition of the Works of Anne Finch, Countess of Winchilsea." Ph.D. Dissertation, Univ. of Houston, 1978.
• Klein, Melanie and Joan Riviere. Love, Hate and Reparation, prefaced by John Rickman. New York: Norton, 1964.
• Mallinson, Jean. "Anne Finch: A Woman Poet and the Tradition," Gender at Work: Four Women Writers of the Eighteenth Century,, ed. Ann Messenger. Detroit: Wayne St University Press, 1990, pp 34-76.
• McGovern, Barbara. Anne Finch and Her Poetry: A Critical Biography. Athens: Univ. of Georgia Press, 1992.
• Medoff, Jeslyn, "The Daughters of Behn and the Problem of Reputation," Women, Writing, History 1640-1740, ed. Isobel Grundy and Susan Wiseman. Athens: University of Georgia Press, 1992, pp. 32-54.
• Mermin, Dorothy. "Women Becoming Poets: Katherine Philips, Aphra Behn, Anne Finch," ELH, 57 (1990), 335-55.
• Messenger, Ann P. "Lady Winchilsea and Twice-Fallen Women," Atlantis, 3 (1978), 83-97.
• ---------------------------. "Selected Nightingales and an 'Augustan Sensibility,'" English Studies in Canada, 6 (1980), 145-53.
• --------------------------. "Publishing Without Perishing: Lady Winchilsea's Miscellany Poems of 1713," Restoration,46 (1980-2), 27-37.
• --------------------------. "Adam Pos'd: Metaphysical and Augustan Satire," West Coast Review, 8 (1974), 10-11.
• Murry, John Middleton. "Anne Finch, Countess of Winchilsea (1661-1720)." New Adelphi, NS. 1 (1927-8), 145-153.
• Neill, D. G. "Studies for an Edition of the Poem of Anne Countess of Winchilsea, Consisting of a Bibliography of her Poems and Study of all Available MSS," Ph. Diss. Oxford, 1954.
• Noble, Yvonne, an essay-review of The Anne Finch Wellesley Manuscript Poems: A Critical Edition, ed. Barbara McGovern and Charles H. Hinnant," in Eighteenth- Century Women: Studies in Their Lives, Work and Culture, ed. Linda V. Troost. Volume 2. New York: AMS Press, 2002, pp. 313-20.
• O'Neill, John and Cameron Nickels. "Upon the Attribution of 'Upon a Fart', Early American Literature, 14, 1979, pp. 143-148. O'Neill and Nickels argue against the attribution of "Upon a Fart" to William Byrd.
• Overton, John Henry. The Nonjurors: Their Lives, Principles, and Writings. London: Smith, 1902.
• Palmer, Joyce Cornete, "Anne Finch Surveys Womankind," Erfurt Electornic Studies in English 1 (2001), http://webdoc.gwdg.de/edoc/ia/eese/eese.html; reviewed in , 34 (2001-2), pp. 27-28
• Patey, Douglas Lane. "Anne Finch, John Dyer, and the Georgic Syntax of Nature," Augustan Subjects: Essays in Honorof Martin C. Battestin, ed. Albert J. Rivero. Newark: Delaware, 1997), pp. 29-46; reviewed in , 33 (1999), p. 179.
• Physick, John. Five Monuments from Eastwell, London: Victoria and Albert Museum, 1973.
• Piggott, Stuart. William Stukeley: An Eighteenth-Century Antiquary, rev ed. London: Thames and Hudson, 1985.
• Plaisant, Michèle, "Féminisme et Poésie en Angleterre à l'aube du XVIIIe siècle," Aspects du Féminisme en Angleterre du 18e Siècle. Lille: Lille Univeristy Press, 1973.
• Porritt, Edward. The Unreformed House of Commons, 2 vols. 1903: rpt: New York: Kelley, 1963.
• Rice, Hugh A.L. Thomas Ken, Bishop and Non-Juror. London: SPCK, 1958.
• Robinson, Mabel. "Lady Winchelsea: A Modernist." The Sewanee Review, 25 (1971), 412-21.
• Rogers, Katharine. "Finch's 'Candid Account' vs. Eighteenth-Century Theories of the Spleen,"Mosaic,22 (1989), 17-27.
• --------------------------. "Anne Finch, Countess of Winchilsea: An Augustan Women, " edd. Gilbert, Sandra and Susan Gubar. Shakespeare's Sisters. Bloomington: Indiana Univ Press 1979, 32-46.
• ---------------------------. Selected Poems of Anne Finch, Countess of Winchilsea New York: Ungar, 1979 (Rogers, Selected Poems.)
• --------------------------. ed. Before Their Time: Six Women Writers of the Eighteenth Century, New York: Frederick Ungar, 1979.
• Salvaggio, Ruth. "Ann Finch: Placed and Displaced." Enlightened Absence: Neoclassical Configurations of the Feminine. Urbana: Univ of Illinois Pr, 1988.
• Sena, John F. Melancholy in Anne Finch and Elizabeth Carter: The Ambivalence of an Idea, " The Yearbook of English Studies,I (1971), 109-19.
• Schwoerer, Lois B. "Images of Mary II, 1689-95," Renaissance Quarterly, 42 (1989), 717-48.
• Shattock, Joanne. "Finch, Anne," Oxford Guide to British Women Writers. Oxford: Oxford Univ Press, 1993. The best of the little lives to be found in the modern reference books.
• Sherburn, George. "The Fortunes and Misfortunes of Three Hours After Marriage," Modern Philology, 24 (1926), 91-109. Sherburn argues Phoebe Clinket is not a representation of Ann Finch.
• Shippen, William. "Factions Display'd" and "Moderation Display'd," in Poems on Affairs of State: Augustan Satirical Verse, 1660-1714, gen ed. Frank Ellis, New Haven: Yale University Press, Vol 6, pp 649-63, Vol 7, pp 19-41.
• Smith, Hilda L. Reason's Disciples: Seventeenth-Century English Feminists. Chicago: University of Illinois Press, 1982.
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• Strickland, Agnes. The Queens of England. 11 Vols. Philadelphia, 1850. 8:198-325
• Stuckeley, William. "The Family Memoirs of the Rev. Wm. Stuckeley, M.D., The Surtees Society Vols 73, 76, 80 (1887).
• Thomson, Gladys Scott., ed. The Twysden Lieutenancy Papers, 1583-1668. . Ashford: Kent Arch. Society, 1976.
• Thompson, Edward Maunde,ed. Correspondence of the Family of Hatton, being Chiefly Letters Addressed to Christopher First Viscount Hatton, 1601-1704. London: Camden Society, 1887.
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• --------------------- and Anne Buck. Children's Costume in England: From the Fourteenth to the end of the Nineteenth Century. London: Adams & Charles Black, 1965.
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• ---------------------------. The Community of Kent and the Great Rebellion, 1640-1660. Leicester: Leicester University Press, 1966.
• Ewes, C. K. Matthew Prior: Poet and Diplomatist.
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• ----------------------. Life in the English Country House. New Haven: Yale 1978.
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• -----------------------. "The New Candidate for Pseudonymous 'Ephelia': Mary (Stuart nee Villiers), Duchess of Richmond & Lennox, 1622-1685." Women's Writing, Volume 2, no. 3 (1995), 309-11.
• --------------------------. "'Butterfly' of the Restoration Court: A Preview of Lady Mary Villiers, the New 'Ephelia' Candidate." ANQ (Fall, 1996) 24-40.
• ---. "Ephelia." An Encyclopedia of British Women WritersM. Eds. Paul and June Schlueter. "Rutgers UP, second printing, 1998, 231-3.
• ---. "The Eureka! Piece in the 'Ephelia' Puzzle: Book Ornaments in Attribution Research and a New Location for Rahir Fleuron 203." ANQ (Summer, 1999), 23-35.
• ---. "Thumbprints of Ephelia: The End of an Enigma in Restoration Attribution. A Hypertext & Multimedia Exercise in Literary Detection -- Text, Image, Sound." (Re)Soundings (Millersville U., PA). Volume 3, issue 2, 2000.
• -------------"Butterfly in my Net: Lepidoptera, Literature, and the Ephelia Poet (circa 1679)." Lepidoptera News (Association for Tropical Lepidoptera), Fall, 2000/Winter, 2001.
• -------------. "Sly Stuart Duchess: The Public & Private Lives of Mary Villiers Stuart, Duchess of Richmond & Lennox (1622-1685)." The Female Spectator (Chawton House Centre for the Study of Early Women Writers, Chawton, England), Fall, 2001.
• -------------. "Essential Studies of Restoration Women Writers, Part II, 1987-2000: The New Scholarship, Emerging Subjects, and Continuing Needs." Restoration (Fall, 2001).
• --------------."Ephelia." Updated edition of the texts and attribution. The Early Modern Englishwoman: A Facsimile Library. Scolar/Ashgate, 2
• Nicoll, Allardyce. A History of English Drama: 1600-1900. 2 vols. 4th Edition. Cambridge: At the University Press, 1961.
• Nicolson, Nigel. The World of Jane Austen. London: Weidenfeld and Nicolson, 1991.
• -----------------------. Godmersham Park, Kent. Hampshire: The Jane Austen Society, 1966.
• Parkes, Joan. Travel in England in the Seventeenth-Century. London: Oxford University Press, 1925.
• Pemberton, W. Baring. Carteret: The Brilliant Failure of the Eighteenth Century. London: Longmans: 1936.
• Perry, Ruth. The Celebrated Mary Astell. Chicago: University of Chicago Press, 1986.
• Prest, Wilfrid. The Inns of Court under Elizabeth I and the Stuarts: 1590-1640. Totowa, NJ: Rowman and Littlefield, 1972.
• Riddell, Edwin, ed. Lives of the Stuart Age 1603-1714. Barnes & Noble, 1976.
• Roberts, W. "Saint-Amant, Oringda, and Dryden's MIscellany," EIN, 1 (1963-4), 191-6.
• ----------. "The Dating of Orinda's French Translations," PQ, 49 (1970), 56-67.
• Schwoerer, Lois G. Lady Rachel Rusell., Baltimore: Johns Hopkins University, 1988.
• Smith, Lacey Baldwin. Treason in Tudor England: Politics and Paranoia. Princeton: Princeton Univ Press, 1986.
• Souers, Philip. The Matchless Orinda. Cambridge: Harvard University Press, 1931.
• Stephens, Leslie, gen ed. Dictionary of National Biography. 63 vols. London, 1885-1901. Supplements 1901-60
• Stone, Lawrence. Crisis of the Aristocracy, 1558-1641. London: Oxford Univ Press, 1968.
• --------------- The Family, Sex, and Marriage in England 1500-1800. New York: Harper & Row, 1977.
• Stowe, , John. Stowe's Survey of London, introd. H. B. Wheatley. Rev ed. London: Everyman, 1956
• Stoye, John. English Travellers Abroad, 1604-1667. Revised Editon. New Haven: Yale Univ Press, 1989.
• Strachey, J. St. Loe. Beaumont and Fletcher. 2 vols. London: Ernest Benn, 1949.
• Summerson, John. Architecture in Britian: 1530-1830 5th rev. Ed. London: Pelican 1969.
• Thomson, Gladys Scott. Life in a Noble Household, 1641-1700. London: Cape, 1937.
• Trevelyan, G. M. English Social History. New York: Dick McKay, 1942.
• Waith, Eugene M. The Pattern of Tragicomedy in Beaumont and Fletcher. 1952; rpt. New York: Archon, 1969.
• Waller, A. R., ed. Works of Matthew Prior. Cambridge: At the University Press, 1907. Vol 2 contains the Longleat Ms's.
• Warnicke, Retha M. Women of the English Renaissance and Reformation. Westport, Conn: Greenwood Press, 1983
• Wedgewood, C. V. The Trial of Charles I. 1966; rpt. London: Reprint Society, 1966.
• Williamson, Marilyn. Raising Their Voices: British Women Writers, 1650-1720. Detroit: Wayne State University Press.
• Wilson, John Harold. The Court Wits of the Restoration. Princeton: Princeton University Press, 1948.
• Winstanley, D. A. Unreformed Cambridge. Cambridge: At the University Press, 1935.
• Woodcock, George. The Incomparable Aphra. London: Boardman, 1948.
• Woolf, Virginia. A Room of One's Own. New York: HBJ, 1929.
• Wordsworth, William. "Essay, Supplementary to the Preface (1815)." William Wordsworth, ed. Stephen Gill. London: Oxford, 1984.

Here is a list of all the anthologies in which Anne Finch's poetry has appeared, of significant separate reprints of individual poems either where they come well after her death or where the texts were taken from previous printed books). The chronologies cite the first name of the editor and the year of the edition. For most of the older anthologies I have included the pagination. The anthologies are subdivided into centuries and then alphabetized.

The Seventeenth Century:

• Comes Amoris; The Companion of Love, Being a Choice Collection of the Newest Songs now in use. London: 1694. This includes "Song 'Love, thou art best of human joys'."
• Gentleman's Journal; or the Monthly Miscellany. In a letter to a Gentleman in the counnry. Consisting of News, History, Philosophy, Poetry, Musick, Translations. London: Fleet Street, 1693. This includes "Song: 'Love, thou are best of human joys'."
• Vinculum Societatis, or The tie of Good Company, Being a Choice Collection of the Newest Songs now in Use, with a thorow bass for each song to the harpsichord. London, 1691. This includes "Song: 'Tis strange the heart within this breast'." This appears to have been the first poem to be printed.
• Wright, Thomas. The Female Virtuosos, with a dedication to Charles Finch, Earl of Winchilsea. London, 1693. This includes "Song: 'Love, thou art the best of human joys'," and lines given to Mariana which may be by Anne: "'For the soft joys of Love no longer last,/When once the fatal Yea our Lips has past;/Then we begin to court and to comply,/Oft we only Rule, while we deny.'

The Eighteenth Century:

• Anonymous. The Spleen, A Pindarique Ode. By a Lady. Together with "A Prospect of Death: A Pindarique Essay [by John Pomfret]. London, 1709.
• Cibber, Theophilus. Lives of Poets. London, 1753. Volume 3 contains a life of Anne (Birch's), "To Mr Pope: 'Disarm'd with so genteel an air'", and pieces of "The Spleen", from Aristomenes (a song
• Colman, George and Thornton Bonnell. Poems by Eminent Ladies. 1755. They reprint "The Brass-pot and Stone Jugg," "There's No To-Morrow," "The Spleen. A Pindariqk Poem," "The Atheist and the Acorn," "The Young Rat 7 his Dam, the Cock & the Cat," "To Mr Finch, new Earl of Winchilsea," "The Eagle, the Sow, and the Cat," "Love, Death, and Reputation," "The Decision of Fortune," "The Hog, the Sheep, and Goat, carrying to a Fair," "Cupid and Folly," "To Lady Winchilsea, occasion'd by Some Verses on the Rape of theLock by Mr Pope, with "An Answer to the Foregoing Verses," Vol II, pp. 241-64.
• Manley, Mary Delariviere. Secret Memoirs and Manners of Several Persons of Quality of Both Sexes, from the New Atalantis, an Island in the Mediterranean.. 1709. Manley includes "The Progess of Life" (second stanza is altered) and "The Hymn: 'To the Eternal One on his Throne'," pp. 441-43, 692-95.
• ------------------------------------. Court Intrigues, in a Collection of Original Letters, from the Island of New Atalantis. London 1711. Manley includes a modernized "A Sigh: Gentle Air, thou breath of Lovers" (from 1714 Steele).
• Ritson, Joseph. English Anthology. London 1793/4. According to Horace Walpole, Ritson includes "A Noctural Reverie."
• Stuckley, William. Of the Spleen, its description and history, uses and diseases, particularly the Vapors, with their remedy ... to which is added some anatomical observations on the Dissection of an Elephant. London 1709. Stuckley prefaces his book with "The Spleen."

The Nineteenth Century

• Bethune, George. Pearls from the British Female Poets.. New York: World Publishing [Allen Brothers], 1869. Bethune includes "Life's Progress," pp. 41-42
• Dyce, Alexander. Specimens of British Poetesses. London: 1829. Reprinted many times. Dyce reprints "The Atheist and the Acorn," "Life's Progress," "A Nocturnal Reverie," "The Spleen," pp. 134-46
• Griswld, Rufus Wilmot. The Female Poets of America. New York: 1874.
• Hale, Sarah. Woman's Record; or Sketches of all Distinguished Women from the Creation to A. D. 1854. New York: Harper and Bros, 1955. Sale reprints "A Nocturnal Reverie" and "Life's Progress", pp. 554-55.
• Hunt, Leigh, ed., introd. Men, Women and Books: A Selection of Sketches, Essays and Critical Memoirs from his Uncollected Prose Writings. A New Edition. London: 191. Hunt reprints "A Nocturnal Reverie" and "The Spleen."
• Robertson, Eric, ed. English Poetesses. London, 1883. Robertson does not include Anne Finch.
• Rowton, Frederick. The Female Poets of Great Britian. Philadelphia, Pennsylvania, 1853. Reprinted in a facsimile in 1981 by Wayne State University Press with a preface by Marilyn Williamson. Rowton includes: "A Nocturnal Reverie," "In reply to some lines of Pope's addresed to her concerning The Rape of the Lock: "Disarm'd with so genteel an air'," "The Atheist and the Acorn," "Life's Progrss," "Song: 'Would we attain the happiest state'," and "From "The Spleen," Stanzas 4, lines 90-99, lines 116-22, pp. 10-3-9.
• Ward, Humphry. Ward's English Poets. London, 1880. Finch is the sixth poet in Volume 3, and included are "To the Nightingale," "The Tree," "A Nocturnal Reverie," from "An Ode to the Spleen," (lines 25-43), "In Answer to Mr Pope: 'Disarm'd with so genteel an air'," pp. 29-34. The introductory preface is by Edmund Gosse.
• Williams, Jane. The Literary Women of England. London: Sanders, Otley and Co, 1861. Williams includes "The Atheist and the Acorn," "A Nocturnal Reverie," and "Progress of Life: 'How gaily is at first begun' (omitting the same stanzas as Dyce and then Bethune and Rowton).
• Wordsworth, William. Poems and Extracts ... for an Album Presented to Lady Mary Lowther, Christmas 1819. London: 1905. Wordsworth reprints "From the Spleen," "From Petition for an Absolute Retreat," "Song: Would we attain the happiest state," "From the Mussulman's Dream of the Vizier and the Dervis," "A Nocturnal Reverie" [omitting a couplet to Ann Tufton]," "Fragment: Peace! where are thou to be found?", "Fragment: So here confinded, and but to female clay," "From a Poem for the Birthday of the Lady Catherine Tufton," Life's Progress," "The Tree," "From a Poem on the Death of the Hon ble James Thynne younger Son of the Lord Viscount Weymouth," "Hope," "Song: 'Tis strange, this heart within my breast," "From a Poem in praise of the invention of Letter Writing," Untitled [from "The Cautious Lovers"], Untitled [from "Death"], pp. 1-33.

The Twentieth Century, the First Half (1900-50)

• Ault, Norman, ed. A Treasury of Unfamiliar Lyrics. London: Gollancz, 1938. Ault prints "The Tree," and as Finch's, he titles as "A Song on the South Sea", and prints for the second time 'Ombre and basset laid aside'," from B. M. MS Lansdowne, pp. 298-99. It also appears with a row of Anne's poems (unacknowledged and unattributed) in the 1724 Hive
• Bax, Clifford and Meum Stewart, edd. The Distaff Muse. London: Hollis and Carter, 1949. While this is the earliest of the rebirth of anthologies which reprint women's poetry separately from men's, the choice is not in the direction of feminist protest, but an Arnoldian tradition of high seriousness and beauty and an idea of what women traditionally write about (love, husbands, nature). It is nontheless an excellent anthology as they really go to manuscripts and choose within these standards fine poems not easy to be found elsewhere by many still unknown women. They reprint "The Tree," "A Letter to Dafnis. April 2D 1685," "A Song: 'Love thou are best of human joys'," and "Ardelia to Melancholy," pp. 23-25.
• Bernbaum, Ernest. English Poets of the Eighteenth Century. New York: Scribner, 1918. The Modern Student's Library. Bernbaum includes "To the Nightingale," and "A Nocturnal Reverie," pp. 74-76.
• Bredvold, Louis I, Alan D. McKillop and Lois Whitney, edd. Eighteenth-Century Poetry and Prose. New York: Ronald Press, 2939. They print "To the Echo," "The Bird," "The Tree," "To the Nightingale," and "A Nocturnal Reverie," pp. 154-56. As with Ronald Crane's anthology (see next list item), this anthology is important in the history of Anne's reputation as it adheres to the view that there was a proto-romantic movement in the century and reprints many poems and choses others on this basis, and was a primary school text for college courses.
• Crane, Ronald, ed. A Collection of English Poems, 1660-1800. New York and London: University of Chicago Press, 1932. Crane includes "To the Nightingale, " "The Tree," "A Nocturnal Reverie," "A sigh." As in the case of the Bredvold/McKillop/Whitney anthology above, this volume consistently reprints the lesser known and what used to be called proto- romantic poetry of the century and was a primary school text for college courses. Thus it too is an important historical document. Ironically both includes poems that are hard to find today and are very good.
• Dowden, Edward, "A Noble Authoress," Essays: Modern and Elizabethan. 1910; reprinted New York: Books for Libraries, 1970, pp. 234-49. Dowden was the first to print any of the poems from the Wellesley manuscript; Dowden's essay was noticed; he printed the whole or parts of the following: "the puggs," "The agreeable," "The white mouses petition to Lamira the Right Hon: ble the Lady Ann Tufton now Countess of Salisbury," "To the Hon be Mrs H---n," 'Where is the trust in human things','" "To the Rev Mr Bedford: 'On me then Sir as on a friend','", "A Ballad to Mrs Catherine Fleming in London from Malshanger farm in Hampshire," "To the right Honourable Frances Countess of Hartford who engaged Mr Eusden to write upon a wood enjoining him to mention no tree but the Aspen & no flower but the King-cup,' "On the Death of the Queen, Mary of Modena," Untitled: 'Sir plausible as 'tis well known'," "Mary Magdalen at our Saviour's Tomb." Despite Dowden's irritatingly condescending tone, this essay is an important moment in Finch studies.
• Hughes, Helen Sard Hughes, "Lady Winchilsea and Her Friends," London Mercury, 19 (1928-9), 624-35. She reprints from the Wellesley manuscript part of "On the Death of the Queen," "A Ballad to Mrs Catherine Fleming in London from Malshanger Farm in Hampshire," "A Letter to the Hon: Lady Worseley at Long-Leat: 'From the sweet pleasures of a rural seat'," "A Letter to Mrs Arabella Marow: 'For can our correspondence please ...'." This was the second calling attention to the Wellesley manuscript. Hughes treats Finch with respect.
• Smith, David Nichol, ed. The Oxford Book of Eighteenth Century Verse. Oxford: Clarendon Press, 1926. Includes "The Portrait" (lines from "The Birthday of Catherine Tufton," "The Petition for an Absolute Retreat," "The Tree," "A Nocturnal Reverie," pp. 39-46.
• Squire, J. C. The Cambridge Book of Lesser Poets. London: Cambridge, 1927. This individually selected and tasteful volume includes "The Soldier's Death" (from "All is Vanity," Stanza 3, lines 100-8), "To Death," "A Nocturnal Reverie," pp. 199-200.
• Tutin, J. R, ed., selected and privately printed. The Orinda Booklets. Extra Series. Hill, 1905. She reprints Katherine Philips (Vol 1), Robert Heath (2), Henry Reynodls (3), Thormas Flatman (4) and Anne, Countess of Winchilsea (5). The poems are "Petition for an Absolute Retreat," "A Nocturnal Reverie," "To the Nightingale," "The Shepherd and the Calm," The Spleen," "Life's Progress," "Life, Death and Reputation," "The Atheist and the Acorn," "An Anser: Disarm'd with so genteel an air," "A song from Aristomenes, Act 3: "A Young Shepherd his life," "Moral Song: Would we attain he happiest State'", "A Song Persuade me not, there is a grace, " pp. 1-31. The epigraph is provided by Wordsworth.

The Twentieth Century, the Second Half (1951-2000):

• Abrams, M. H. general editor. The Norton Anthology of English Literature. New York: Norton, 1993. As of 1993 and the sixth edition, the choice was "The Introduction" and "A Nocturnal Reverie," pp. 1992-93.
• Bernikow, Louise, ed. The World Split Open: Four Centuries of Women Poets in England and America, 1552-1950. Bernikow reprints "A Nocturnal Reverie," "Adam Pos'd," "Melinda on an Insippid Beauty," "Ardelia's Answer to Ephelia," pp. 81-91.
• Cosman, Carol, Joan Keefe and Carol Weaver, edd. The Penguin Book of Women Poets. London, 1978. They reprint "A Nocturnal Reverie," pp. 143-4.
• Davie, Donald, ed. The Augustan Lyric. London: Heinemann, 1974. Davie reprints "Life's Progress," and "A Nocturnal Reverie," pp. 39-42.
• Davison, David, ed. The Penguin Book of Eighteenth-Century English Verse. London, 1973. He reprints "A Nocturnal Reverie," pp. 213-14.
• Fowler, Alistair, ed. The New Oxford Book of Seventeenth-Century Verse. London: Oxford, 1991. He prints "From The Petition for an Absolute Retreat: 'Give me, O indulgent fate', Stanzas 1-5, lines 1-125 out of 292 lines, "The Spleen: A Pindaric Poem," "A Letter to Dafnis, April 2, 1685," pp. 782-90.
• Fullard, Joyce, ed. British Women Poets 1660-1800: An Anthology. Troy: New York, 1990. Fullard reprints "Lady Winchelsea's Answer: 'Disarm'd with so genteel an air'," "The Introduction," "To the Nightingale," "A Nocturnal Reverie," "A Song: Melinda to Alcander; 'Wit, so free and unconfin'd', " "Clarinda's Indifference at Parting with her Beauty," "A Tale of the Miser and the Poet," "From All is Vanity: 'Trail all your pike', once again Stanza 3," pp. 23-5, 236-8, 282-7 and 361.
• Gilbert, Sandra and Susan Gubar, edd. The Norton Anthology of Literature by Women. New York: Norton, 1985. They include "The Introduction," "A Letter to Daphnis, April 2, 1685," "Friendship between Ephelia and Ardelia," "The Circuit of Apollo," "The Answer," "The Spleen," "To the Nightingale," "A Nocturnal Reverie," pp. 98-112.
• Goulianos, Joan, ed. by a Woman Writ: Literature from Six Centuries by and About Women. Indianapolis: Bobbs-Merrill, 1973. Goulianos reprints "The Introduction," "The Apology," "Ardelia to Melancholy," "The Consolation," "On Myselfe," "A Letter to Dafnis April 2D 1685," "To Mr F now Earl of W," "Clarinda's Indifference at Parting with her Beauty," "The Unequal Fetters," "A Song: 'Tis strange, this Heart within my Breast," "Jealousie is the Rage of Man," "To the Nightingale," "A Nocturnal Reverie," pp. 71-85.
• Hampsten, Elizabeth, "Petticoat Authors: 1660-1720," Women's Studies, 7 (1980). She reprints from the Wellesley manuscript, "A Tale: 'Over a cheerfull cup 'tis thought'," "The Lawrell: 'You who remote in London lye'," "A Suplication for the joys of Heaven: 'To the Superior World to Solemn Peace'," "An Aspiration: 'My God Oh that my soul cou'd stay'," "No Grace: 'A wealthy and a generous Lord'," pp. 7-19.
• Hayward, John. The Penguin Book of English Verse. London, 1956. He reprints "A Noctural Reverie," p. 196.
• Kaplan, Cora, ed. Salt and Bitter and Good: Three Centuries of English and American Women Poets. London: Paddington Press, 1975. She includes "The Introduction," "The Apology," "To the Rt Hon the Lady Tufton," "On Myselfe," "A Letter to Dafnis," "Clarinda's Indifference at Parting with Her Beauty," "The Petition for an Absolute Retreat," "To the Nightingale, "A Nocturnal Reverie," pp. 59-72.
• Lonsdale, Roger, ed. The New Oxford Book of Eighteenth-Century Verse. London, 1984. He reprints "A Nocturnal Reverie" and from MS Lansdowne/1938 Ault, "A Song on the South Sea: 'Ombre and basseet laid aside'," pp. 106-8.
• ------------------------------. Eighteenth-Century Women Poets: An Oxford Anthology. New York: Oxford University Press, 1990. He reprints "From the Spleen. A Pindarick Poem: 'O'er me, alas! thou dost too much prevail,' Stanzas 3 & 4, lines 74-137), "A Sigh," "Life's Progress," "A Pastoral Dialogue between Two Shepherdesses: Silvia: pretty nymph! within this shade'," "Adam Pos'd," "A Tale of the Miser and the Poet," "From The Petition for an Absolute Retreat," "The Hog, the Sheep and Goat, Carrying to a Fair," "Enquiry after Peace. A Fragment," "To the Nightingale," "Reformation: 'A Gentleman, most wretched in his lot'," "Friendship between Ephelia and Ardelia," "A Nocturnal Reverie," "A Ballad to Mrs Catherine Fleming in London from Malshanger Fram in Hampshire: 'From me whlom sung the town'," "A Song on the South Sea: 'Ombre and basset laid aside'," pp. 6-26. A healthy selection.
• McGovern, Barbara. Anne Finch and Her Poetry: A Critical Biography. Athens: Univ. of Georgia Press, 1992. In an "Appendix A," she reprints 12 of the poems from the Wellesley manuscript which she discusses favorably in her book, "On Lady Cartret drest like a shepherdess at Count Volira's ball," "the puggs," "On the Death of the Queen," "An Hymn of Thanksgiving after a Dangerous fit of sickness in the year 1715: 'To thee encreaser of my days'," "To the Revd Mr Bedford," "Sir Plausible," "A Ballad to Mrs Catherine Fleming in London from Malshanger Farm in Hampshire," "The white mouses petition to Lamire the Right Hon: ble the Lady Ann Tufton now Countess of Salisbury," "An Apology for my fearfull temper in a letter in Burlesque upon the firing of my chimeny At Wye College March 25th 1702: 'Tis true of courage I'm no mistress'," "A Suplication for the joys of Heaven," "Written after a violent and dagerous [sic] fit of sicknesse in teh Year 1715: 'Snatch'd from the verge of the devouring grave'," "A Contemplation," and in Appendix B, Jonathan Swift's "Apollo Outwitted To the Hon. Mrs Finc (since Countess of Winchilesea) under the name of Ardelia: 'Phoebus now short'ning every Shade", and Pope's "Impromptu to Lady Winchilsea. Occasion'd by four Satyrical Verses on Women-Wits, in , pp. 193-220, 221-23.
• Peake, Charles, ed. The Poetry of the Landscape and the Night: Two Eighteenth Century Traditions. London: Arnold, 1967. This is a fine anthology because of the commentary and choice of poems. Peake reprints "A Nocturnal Reverie," pp. 39-40.
• Rogers, Katherine, ed. Before Their Time: Six Women Writers of the Eighteenth Century. New York: Ungar, 1979. Along with Mary Astell, Lady Mary Wortley Montagu, Charlotte Smith, Fanny Burney and Mary Wollstonecraft, Anne Finch is represented. Rogers reprints 13 poems from Reynolds: "The Introduction," "The Loss; 'She sighed, but soon, it mixed with common air'," "The Consolation," "A Letter to Dafnis April 2, 1685," "To Mr R, now Early of W Who going abroad ...," "Ardelia's Answer to Ephelia," "The Bird and the Arras: 'By near resemblance see that Bird betrayed'," "A Song: 'Tis strange, this Heart within my breast'," "A Song: 'The Nymph, in vain, bestows her pains'," "The Unequal Fetters," "The Young Rat and his Dam, the Cock and the Cat," "To the Nightingale," and "A Nocturnal Reverie," pp. 3-23.
• Rosenthal, M. L., ed. Poetry in English: An Anthology. New York: Oxford University Press, 1987. He reprints from Reynolds "Enquiry after Peace. A Fragment: 'Peace! where art thou to be found?'," "A Song of the Cannibals," and "A Nocturnal Reverie," pp. 361-63.
• Silkin, Jon, ed. The Penguin Book of First World War Poetry. London, 1978. He prints as a poem called "The Soldier's Death", "From All is Vanity:" 'Trail your pike'," pp. 23- 24
• Swedenberg, H. T. Jr, ed. English Poetry of the Restoration and Eighteenth Century. New York: Knopf, 1968. Swedenberg reprints "A Nocturnal Reverie," "To the Nightingale," "The Tree," "The Bird".
• Stanford, Ann, ed. The Women Poets in English: An Anthology. New York: McGraw-Hill, 1972. This is a rich, substantial and includes an original choice of poets though not of poems by them. Stanford reprints "From The Petition for an Absolute Retreat," "A Nocturnal Reverie," "To Melancholy" (Murray's title): 'At last, my old inveterate foe'," "From All is Vanity: 'Trail your pikes', once again Stanza 3, lines 80-1, pp. 77-81.
• Sutherland, James, ed. Early Eighteenth Century Poetry. Columbia, S.C.: University of South Caroline Press, 1970. Sutherland reprints "A Nocturnal Reverie."
• Tillotson, Geoffrey, Paul Fussell and Marshall Waingrow. Eighteenth-Century English Literature. New York: Harcourt, Brace World, 1969. They reprint "Adam Pos'd," "The Atheist and the Acorn," and "A Nocturnal Reverie," pp. 795-796. Although the choice for Anne is very poor, this is a landmark anthology which turns the attention of the student back to the "classical" and Augustan school of poetry and is today still used in college classrooms. Compare it to Crane or Bredvold and you see two different 18 centuries, though not two different Anne's.
• Uphaus, Robert W. and Gretchen Foster, edd. The "Other" Eighteenth Century: English Women of Letters, 1660-1800. East Lansing: Colleagues Press, 1991. They include "The Preface," "The Introduction," "The Apology," "Ardelia to Melancholy," "On Myselfe," "Clarinda's Indifference at Parting with Her Beauty," "The Unequal Fetters," "To the Nightingale," "A Letter to Dafnis April: 2D 1685," "Life's Progress," "A Nocturnal Reverie,", pp 165-80. Also by Elizabeth Tollet, "In Memory of the Countess of Winchilsea," pp. 199-200.
• Wain, John, ed. The Oxford Anthology of English Poetry, Volume I. London: 1900. Wain reprints "A Nocturnal Reverie," pp. 443-44.