The Woodburn Foundation
presents
The Golden Polyphemus
El Polifemo de Oro
Guitar recital
by
The Poet of the Guitar
FRANCESC DE PAULA SOLER
ABOUT THE ARTIST
Born
in the heart of a Spanish artistic familly, he has received numerous prizes
and awards, including the conferring of the Honorary Citizen of Dallas
(1988); the Medal of St. Vladimir from the Russian Orthodox Church (1988);
the Plaque of the Catalan Catholic Church Council (1995); Member of the
Royal Order of Christopher Columbus (1999); given the Golden Key and made
Honorary Citizen of the city of Corpus Christi, Texas (2000); Medal and
Diploma of the US Military Academy of West Point and Tribute to Francesc
de Paula Soler of the US House of Representatives (2001), in recognition
for his artistic merits.
He
has recorded the C.D. "Guitar Collection of Francesc de Paula SOLER" for
MEL BAY Publications of USA, and nowadays he is preparing a CD recording
dedicated to the Spanish music for vihuela and guitar and which will be
entitled "El Polifemo de Oro". He’s Founder of the “Escola Catalana
de Guitarra” and of the "Catedra de Guitarra Ferran Sors" from the Montserrat's
Monastery (Spain). Regarding his wide international activity as a
performer, the critics--calling him "The Poet of the Guitar"--have hailed
SOLER as the most notable name of the new Spanish guitar. GHS Strings
Corporation, has chosen him for its international promotion.
About the Program
This
recital is divided into two parts: the first, gives the audience a panoramic
view of the Spanish music for guitar, from the Baroque to contemporary
music. Mixing different styles, the performer presents the second, like
a rainbow of the guitar.
The program begins with Gaspar Sanz
(1640-1710),
the true representative of the Baroque Spanish guitar; we will hear
a selection of popular
Cervantes’s dances from his “Suite Española”,
followed by
Ferran Sors’s (1778-1839), “Variaciones Opus 9”, which
draws its inspiration from the aria “O Cara Armonia” from Mozart’s
Magic
Flute. In the next piece, “Sueño” (Dream), Francisco Tárrega
(1852-1909), uses the difficult
trémolo technique. This composition
is one of the best examples of Tárrega’s Romantic aesthetics.
The program continues with two dances: the “Dance # 1” by Antonio Ruiz-Pipó
and “Muñeira” (a dance from Galicia) by the pianist and composer
Frederic
Mompou (1893-1987); this piece come from his “Suite Compostelana”,
inspired on Santiago de Compostela and dedicated to Andrés Segovia,
was the only composition he devoted to the guitar. We will end this first
part with a piece by Francesc de Paula Soler, Lady M, Little
Rolling Stone in which the composer mixes classical themes with themes
taken from the Blues and Rock music.
The
second part opens with a jazz-like composition, “Sua Cosa”, written in
the Wes Montgomery style by the English composer John William
Duarte, immediately followed by a piece by the Italian composer Giovanni
Unterberger brings forth the be-bob style in his “Mill Grove
Farm”. The Polish-French composer Alexander Tansman (1897-1986),
closes this part with his Baroque style “Pompous Dance.” We
continue with “Scherzino Mexicano” by Manuel Mª Ponce (1882-1948),
and the salla, “Huayno”, a popular dance from the Altiplano with
genuine charango effects followed by the rhythmic and festive
“Batucada” by the Uruguayan
Isaías Savio. Then, the
Soler’s transcriptions for guitar of two tangos: “Adiós Nonino”,
originally written for the Argentinian Quinteto Astor Piazzolla
founded by Astor Piazzolla (1921-1992), and dedicated to his father
“Nonino”;
and “Brejeiro”, by Ernesto Nazareth’s (1863-1934), brazilian
tango with “taste” of samba.
Closes
the recital the Venezuelan Antonio Lauro’s (1917-1986), “Seis por
Derecho” (Joropo) one of his many valses, and by the Paraguayan
Pablo
Escobar his very popular dance “Chopí” from his dance collection
“Las Tres Palomas” with effects of the harp of his country.
PANORAMA OF THE SPANISH MUSIC
FOR GUITAR
"SUITE DE DANZAS CERVANTINAS" (*)...........................Gaspar
SANZ
"Ricercare"
"Gallarda"
"Villano"
"Rujero"
"Paradetas"
"Fanfarria de la Caballería de
Nápoles"
"La miñona de Cataluña""Canarios"
"VARIACIONES OP. 9".............................................................Ferran
SORS
(On a Mozart's theme from The Magic Flute)
"SUEÑO"
(Dream).......................................................Francisco
TARREGA
TWO DANCES:
“DANZA” (**) (From the “Canción
y Danza nº 1”).....…........Antonio RUIZ-PIPÓ
“MUÑEIRA” (From the "Suite Compostelana")........….….......Frederic
MOMPOU
LADY M, LITTLE ROLLING STONE………….Francesc
de Paula SOLER
Lady M
Little Rolling Stone
Intermission
|
RAINBOW
FOR THE GUITAR
Diferent musical colours
"SUA COSA" (**)......................……...………..John
W. DUARTE (England)
(In memoriam Wes Montgomery)
MILL GROVE FARM (**).…..……...…...Giovanni
UNTERBERGER (Italy)
“DANZA POMPOSA”.......……….....Alexander
TANSMAN (Poland-France)
Prelude and Dances
"SCHERZINO MEXICANO" (**).....................Manuel
M. PONCE (Mexico)
HUAYNO (**)........................................................................Popular
(Bolivia)
BATUCADA...............................................................Isaías
SAVIO (Uruguay)
Two Tango colours
“ADIÓS NONINO” (**).................................Astor
PIAZZOLLA (Argentina)
BREJEIRO (**)..................................................Ernesto
NAZARETH (Brazil)
Joropo and Final
"SEIS POR DERECHO” (**)............................Antonio
LAURO (Venezuela)
CHOPÍ (**).........................................................Pablo
ESCOBAR (Paraguay)
* Transcription, ** Revision, by: Francesc
de Paula SOLER
Guitar:
Ignacio FLETA "La Bomba"
Strings:
G.H.S. (Vanguard & 2390)
Riddle of the guitar
In the round
crossroads,
Six maidens
are dancing.
Three of flesh
and three of silver.
Yesterday´s dreams
are searching for them
But a golden Polyphemus
is embracing them.
The Guitar!
Adivinanza de la Guitarra
En la redonda
encrucijada
seis doncellas
bailan.
Tres de carne
y tres de plata.
Los sueños de ayer las buscan,
pero las tiene abrazadas
un Polifemo de Oro.
¡La guitarra!
Federico García
Lorca
|
Co-sponsored by:
The Cultural Office of the Spanish Embassy